Why The Face? I’ll tell you.

I just finished David Shafer’s thriller Whiskey Tango Foxtrot, which I read because of Dwight Garner’s NYT review. The book is everything Garner says it is–bright, popping, funny, suspenseful. And it has all the things I love: complicated heroes and heroines, smart riffs on contemporary memes, and–best of all–a global conspiracy that really is out to […]

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ending Why The Face? Ill tell you.I just finished David Shafer’s thriller Whiskey Tango Foxtrot, which I read because of Dwight Garner’s NYT review. The book is everything Garner says it is–bright, popping, funny, suspenseful. And it has all the things I love: complicated heroes and heroines, smart riffs on contemporary memes, and–best of all–a global conspiracy that really is out to get the paranoiacs as well as the rest of us.

It’s just great, as far as it goes. WHICH IS NOT FAR ENOUGH. What Garner does not tell us, and as far as I’m concerned this is a cardinal sin of book reviewing, is that the book doesn’t have an ending. After about a hundred good pages of rising action, with the good guys and girl ready to take down the evil that now lurks in a container ship off the Oregon coast, everything just stops. Nothing on or in the book says “first in a series” or anything, but surely the reviewer could have said so. Unless he didn’t finish it.

Thank goodness Tolkien had already finished The Lord of the Rings before I got to the end of The Two Towers and “Frodo was alive but taken by the enemy.”

The post Why The Face? I’ll tell you. appeared first on The Horn Book.

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