A select few of these "rules" are highlighted in Lynn Cullen’s delightful new picture book Dear Mr. Washington (Dial, 2015; Gr 1-4), illustrated by Nancy Carpenter. The book features the president and the 18th-century American artist Gilbert Stuart, along with several of Stuart's 12 children. Stuart painted three images of our first president, and reproductions of them abound—including the one on the U.S. dollar bill. But perhaps the his best-known portrait of Washington is the full-length oil painting of the man, dated 1796 and owned by the National Portrait Gallery. In that painting, Washington stands in front of red drapes and two Doric columns, next to a table covered with a red cloth and books and writing utensils—symbols of his public service. In the portrait, Washington is wearing a somewhat solemn expression, sometimes attributed to a painful set of false teeth. Cullen’s interpretation of Washington’s countenance in the painting is a bit more fanciful. Stuart is known to have painted Washington’s image in Stuart's home; the president didn’t enjoy posing, and his “grim expression” was ruining the portrait, until the artist discovered that the topic of horses could get him to smile. In her author’s note, Cullen states she liked “to imagine the Stuart children having a hand in” that smile. 
Interior page from Lynn Cullen's 'Dear Mr. Washington' (Dial) Carpenter
Dear Mr. Washington is written as a series of apologetic letters to the president after he sent the rambunctious children (“scallyways” in his words) a copy of his “Rules of Civility.” The letters are written by “Charlotte Stuart,” the oldest of the three incorrigible children featured in the book, who at one portrait sitting or another chew his hair ribbons, race the family cat up his shoulder, suck on his shoe (the baby), spill punch, cry, laugh at the misfortune of another, howl, and cry again (Baby John). In an attempt to get Baby John to laugh, Charlotte hoists him up for a horsy ride, finally eliciting a grin from the president. Nancy Carpenter, illustrator of Kristine O’Connell George’s Emma Dilemma (Clarion, 2011), Jenny Offill’s 17 Things I’m Not Allowed to Do Anymore (Schwartz & Wade, 2006), and Eva Moore’s Lucky Ducklings (Orchard, 2013), among other titles, offers a depiction of Stuart's offspring that is as raucous as her subjects. Both full-page and spot art illustrations in mixed media (pen, acrylic paint, and digital media) deliver an abundance of humorous details, as they paint the picture of a man famous for both "his courtesy and excellent manners."We are currently offering this content for free. Sign up now to activate your personal profile, where you can save articles for future viewing
Add Comment :-
Be the first reader to comment.
Comment Policy:
Comment should not be empty !!!