RedReviewStarGr 5 Up—This beautifully crafted and powerful collection of poems deals with a brief period (1825–57) in New York City's storied past. Seneca Village, on Manhattan's Upper West Side, was a thriving multiethnic community of African Americans, Irish and German immigrants, and, possibly, some Native Americans, until it was decimated by the creation of Central Park. After poring over the written accounts and census records, renowned poet Nelson sat down to imagine the lives of a number of the residents, giving voice to individuals based on the names and identifying labels. Brief paragraphs set each scene, followed by a poem in the voice of the Seneca Villager. Readers hear from a bootblack, a conjure-man, a reverend, a hairdresser, a nurse, a mariner, schoolchildren, a music teacher, tub-men hauling sewage to the river, an elderly conductor on the Underground Railroad, and abolitionist and activist Maria W. Stewart. As in any impoverished community, the hardships are palpable—babies die of misunderstood diseases, people are victimized by their starving neighbors, there's violence and cruelty—but there is also resilience, hard-won independence, and hope for its children's futures. In the spirit of Edgar Lee Masters's Spoon River Anthology, this work touches on historical truths (footnoted throughout) but introduces a fleeting time and place through the everyday hopes and dreams of its residents. VERDICT This rich and diverse (a variety of poetic forms, including ones invented for certain speakers, are featured) piece of American literature belongs in every collection.—Luann Toth, School Library Journal
Seneca Village in Manhattan was founded in 1825 by free African Americans; by 1857 it had been razed to make way for the construction of Central Park. In forty-one poems Nelson spans the life of the village through the imagined reflections of its inhabitants. Some we meet just once, while others reappear: Epiphany Davis, forecaster of the future; Frederick Riddles, schoolboy turned soldier; and Sarah Matilda White, hair-braider and gossip. Most of the characters are African American, with a few Irish and German immigrants who also made their home there. Through a range of poetic forms and voices, Nelson communicates the desires, fulfillments, and disappointments of the village residents, along with episodes from daily life and larger historical incidents such as the Shakespeare Riot and an address by Frederick Douglass (italicized historical notes help contextualize events). Poems appear on right-hand pages and are prefaced by brief text on the left—reminiscent of stage directions—that helps set the scene ("We're in Sarah's kitchen again. The woman whose hair she is braiding looks very shocked") and knit a light narrative from the chronologically sequential poems. Nelson's natural and musical poetic lines (mostly in iambic pentameter) suggest reading aloud yet are accessible on the page and lend themselves to multiple reading experiences: as history; as story; as poetry, to be read sequentially or browsed and revisited. The drab cover is unfortunate, but readers who get past it will find one of Nelson's finest works. Nina Lindsay
Seneca Village was founded in 1825 by free African Americans; by 1857 it had been razed for construction of Central Park. In forty-one poems, Nelson imagines the reflections of its inhabitants. Poems appear on right-hand pages and are prefaced by brief, scene-setting text on the left. Nelson's natural, musical lines (mostly in iambic pentameter) lend themselves to multiple readings.

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