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Shakespeare’s greatness can live on, but we can also give space to new voices - and both can happen at the exact same time with the power of a retelling.
The Donut Prince of New York isn't just about donuts or theater or football. It's about the revolutionary act of accepting yourself in a world that often suggests you shouldn't.
To write this story I interviewed social workers and read work by social scientists and scholars of American child welfare. I learned three lessons that I believe are critical for writers, librarians, and other members of the book community.
We adults can offer prompts, reading suggestions, and support, but that what’s most important is that young writers own their work, discover their own processes, experience encouragement but not too much intrusion from adults.
Do we talk about these enough? I don’t know. I feel like I don’t hear about them a lot, but maybe that’s because they’re so miserable. But any time I bring up friendship breakups, people always have a story to tell.