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The Donut Prince of New York isn't just about donuts or theater or football. It's about the revolutionary act of accepting yourself in a world that often suggests you shouldn't.
To write this story I interviewed social workers and read work by social scientists and scholars of American child welfare. I learned three lessons that I believe are critical for writers, librarians, and other members of the book community.
We adults can offer prompts, reading suggestions, and support, but that what’s most important is that young writers own their work, discover their own processes, experience encouragement but not too much intrusion from adults.
One afternoon when my fifth-grade class was at the library for our weekly visit, my friend Jessica handed me a purple paperback book. “I just finished this,” she said. “It’s SO good. You have to read it.”
One of Heartstopper’s central themes is that it’s rude, even dangerous, to speculate on someone’s else’s sexuality. But some fans aren’t getting the message.
This version of pillow fighting is a semi-professional fight club where anything goes as long as the pillow is the first point of contact. It’s more roller derby or WWE-style wrestling than a pillow fight in pajamas at a girls’ night sleepover.