FICTION

Yellowcake: Stories

224p. Knopf. May 2013. Tr $16.99. ISBN 978-0-375-86920-4; PLB $19.99. ISBN 978-0-375-96920-1; ebook $10.99. ISBN 978-0-375-98931-5. LC 2012013139
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Gr 9 Up—Ten tales examine unexpected occurrences of magic in everyday lives. Most of the stories appeared in various anthologies published between 2006 and 2011, but they have not been available to American readers until now. Additionally, while this collection was released in Australia in 2011, one story ("Heads") has been swapped for another ("Catastrophic Disruption of the Head") in the U.S. release. Ranging in length from 10 to 34 pages, some of these literary fantasies are wholly original (a boy's mother prepares to ascend to a higher calling, circus oddities find someone else to stare at and speculate about, a shopping mall sheds its parasitic humans) and some are inspired by other tales (Passover and Exodus, Rapunzel, Charon and the River Styx). But in all of Lanagan's worlds, the familiar becomes unfamiliar and then wondrous. Each story is tightly crafted, dropping readers into a culture without much preface, letting the events spin out and the characters be forever changed, and leaving those turning the pages haunted afterward. Less-sophisticated readers might be frustrated by the density of these selections and their focus on character rather than plot, but for those willing to invest, the payoff is powerful. This is meaty fare, layered with meaning and thick with a richness of imagination. Yellowcake is as much about the telling as it is about the tales.—Gretchen Kolderup, New York Public Library
Lanagan's fourth short story collection (Black Juice, rev. 5/05, White Time, rev. 7/06, Red Spikes, rev. 11/07) features ten typically strange and eerie tales (most previously published in her native Australia or in the UK; a few also appeared in U.S. fantasy collections). With little exposition or context setting -- and lots of unexpected and bizarre imagery -- Lanagan leaves readers perpetually, deliriously off-balance through language that is more imagistic than descriptive and settings that can be simultaneously realistic and extraordinary (e.g., the hardscrabble maritime community in "An Honest Day's Work" beset by a sea creature). Amidst all the weirdness, familiar elements are frequently Lanagan's point of departure. "Night of the Firstlings" is the Exodus story (sort of), and "The Golden Shroud" is a Rapunzel retelling with a horror bent and from the prince's point of view. Lanagan also plays with narrative perspective in "Catastrophic Disruption of the Head," bringing readers inside a disturbed mind (from which they will likely be relieved to emerge), and in "Ferryman" (about the River Styx's father-daughter family business). Familial relationships are a common theme: a grandfather awash in memories finds redemption in "The Point of Roses"; an adoring son accepts his mother's loftier (literally) destiny in "Into the Clouds on High." An appended "Where the Stories Started" section touches on the author's inspiration for each tale. Unsettling, startling, often gruesome -- these imaginative works demand much of their readers, occasionally providing catharsis and unfailingly provoking thought and discussion. elissa gershowitz

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