PreS-K—Wolf is the underdog in Gravett's story about three bigwig circus pigs. The tuxedoed ringmaster, muscle-shirted strongman, and tutu-clad acrobat have gone hunting with a huge butterfly net and caught a large, unkempt gray wolf. With hoopla and dramatic typeface, the pigs put him through his paces: "I can make him jump through hoops!" "I can shoot him through the air!" "I can lift him off the ground!" "I can make him dance a jig…" but (to quote the confident refrain) "WOLF WON'T BITE!" Truly, the creature looks more perplexed and put-upon than fierce through most of these trials. Gravett's watercolor and oil pencil illustrations, which have the endearingly old-fashioned simplicity of a circus poster, feature three plucky, competitive pigs who take no notice of their star attraction's facial expressions. Readers, though, can't help wondering whether it's time to start worrying.
Wolf Won't Bite! is an entertaining and original spin on the old wolf-and-pigs theme. It will delight children.—
Susan Weitz, formerly at Spencer-Van Etten School District, Spencer, NYThree pigs create a sideshow featuring a captured wolf as the unwilling star. No matter what they do, "Wolf won't bite!" is their joyous refrain. The pigs' bravado seems to have no bounds until the final taunting is just too much for the wolf. Gravetts impeccable pacing, sly visual clues, and clever use of white space elevate this universal story of gloating gone wrong.
Creating a circus sideshow with the wolf as its unwilling star, three pigs enjoy taunting a captured wild wolf. The pigs pull up to the circus with the wolf inside a decorated rolling cage, his head and tail protruding from each end, and seem determined to humiliate him at every opportunity. They stand him on a stool, tie an oversized, ridiculous bow around his neck, ride him like a horse, make him jump through hoops, throw knives at him, shoot him through the air like a cannonball, even saw him in two, magician style. No matter what these vindictive pigs do, "Wolf won't bite!" is the joyous refrain of the porcine tormentors. The pigs' bravado and the wolf's compliance seem to have no bounds until the final taunting is just too much for the wolf. Gravett's impeccable pacing, sly visual clues, and clever use of white space elevate this universal story of gloating gone wrong. What appear first to be circus poster fonts turn out to be carefully drawn individual typefaces for each character. The wolf has exactly one word in the book (the last word, of course), and his typeface is deliciously hairy. The wolf's expression, which reflects each fresh indignity, changes ever so slightly at the end to warn the reader that the wolf has Had Enough. The color palette -- heavy on the red and gray -- is reminiscent of that of Falconer's Olivia, and it is quite possible that these three pigs would enjoy her friendship very much. robin l. smith
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