FICTION

Water Sings Blue

illus. by Meilo So. 36p. CIP. Chronicle. 2012. Tr $16.99. ISBN 978-0-8118-7284-3. LC 2010030163.
COPY ISBN
RedReviewStarPreS-Gr 4—A jaunty "Song of the Boat" opens this evocative collection designed to capture the life and spirit of the sea. The 23 pieces showcase a range of poetic forms while looking at each subject from a unique and interesting perspective. Readers do a little shopping in a tide pool, check out the local real estate with Frank Hermit, and experience the drama of a sea urchin's love story. ("The sea urchin fell in love with a fork./With a tremble of purple spines,/she told her mother, 'He's tall, not a ball,/but just look at his wonderful tines!'") Bookended by sandy endpapers showing footprints among feathers and shells, the loose watercolors are beautifully rendered and take readers deeper inside the heart of the verses. From spot art to panels to full spreads, each page turn surprises but also further unifies the collection with color, shape, and movement. Some selections are fast paced and full of humor while others are more contemplative. Closing with an ode to the tide line, this accessible collection is a trip to the beach anytime readers want to go.—Julie Roach, Cambridge Public Library, MA
The creatures and allure of the sea are captured in twenty-three poems with as many moods as the sea itself. Shark, sea turtle, coral, or whale, So's sea creatures are all engaging, but it's the ocean itself that stars in her beautiful art, whether in translucent underwater greens, intense blue against a dazzling white horizon, or simply as splashes of color and light.
The creatures and allure of the sea are captured in twenty-three poems with as many moods as the sea itself. Some give a nod to the familiar: with its lilting cadence and yearning to set sail, "Song of the Boat" recalls John Masefield's "Sea Fever"; "Prayer of the Little Fish" voices sentiments like those in Carmen Bernos de Gasztold's Prayers from the Ark. Here are succinct comical entries ("The sea urchin fell in love with a fork..."); wry imagery ("Octopus Ink": "He autographs the water / with a single word -- / good-bye"); and apt thoughts ("Sand's Story": "Now we grind and we grumble, / humbled and grave, / at the touch of our breaker / and maker, the wave"). Such waves pulse through a pleasing variety of images and ideas, with only an occasional lapsed meter or odd word choice (a shipwreck under "gallons of seas"). So's illustrations are splendid, their liquid sweeps of watercolor evoking the sound, the pace, the smell of sea and shore. One spread, composed of seven vignettes, is a revelation of possible ocean shapes, colors, and behaviors -- and of diverse ways to represent them. Shark, sea turtle, coral, or whale, So's creatures are all engaging; but it's the ocean itself that stars in her beautiful art, whether in translucent underwater greens, intense blue against a dazzling white horizon, or simply as splashes of color and light. joanna rudge long

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