Gr 5–8—In a brief but sweeping 17th-century tale, acclaimed Brazilian children's author Machado intertwines compelling stories of two exiled Portuguese orphans, an enslaved African family, and an aboriginal boy who meet in Brazil. Survivors of the plague, siblings Bento and Manu live on the streets of Lisbon. After Bento is arrested in a tavern brawl and sentenced to exile, distraught Manu is aided by a wealthy couple who arrange safe passage and haven for both boys in Brazil. Far away, on the African savanna, Odjidi and his family are captured and forced onto a slave ship bound for Brazil. Jesuit priests help Bento find work as a carpenter and place Manu, who reveals her true girl identity, in the home of a kind widow. At school, Manu befriends a native boy, Caiubi, and these two get to know a young slave, Didi, who dreams of finding his family and escaping to a deep forest quilombo or village for runaway slaves. Meanwhile Bento falls in love with Rosa, a young slave girl, and is determined to marry her. Realizing the desperate plight of their enslaved friends, Bento, Manu, and Caiubi hatch a plan to help them find family and freedom. Concise, vivid descriptions of chaotic Lisbon streets, colorful markets in Brazil, and the expansive African savanna create a rich cultural backdrop. References to the Inquisition and the plague, Portuguese and Catholic colonization of Brazil, importation of slaves, and struggles of indigenous people provide historic context. Characters are intentional but appealing. Action is steady, and lives intersect. The dilemmas and passion of a broad cast of characters will engage and inform middle-grade readers.—
Gerry Larson, formerly at Durham School of the Arts, NC
Early-seventeenth-century orphans Manu (Manuela, disguised
as a boy for safety) and "his" older brother Bento abandon their
Portuguese village for Lisbon. Bento is unjustly imprisoned and
sentenced to exile in Brazil; Manu accompanies him. Meanwhile,
African boy Odjidi and his family are sold into slavery in Brazil.
The fast-moving adventure and authentic glimpse of Brazil's early
settlers recommend this to young readers.
Early in the seventeenth century, young Manu and "his" older brother Bento, orphaned by the plague, abandon their decimated Portuguese village for Lisbon, where work in a tavern sustains them until Bento is unjustly imprisoned. Fortunately, Don Diogo and Dona Ines rescue Manu from a lean street life; their discovery that Manu is Manuela, disguised as a boy for safety, coincides with readers'. When Bento is sentenced to exile in Brazil, Manu accompanies him, and thanks to various benevolent Brazilians, including priests and an indigenous boy, the two siblings find new friends and skills: like their father, Manu works in clay, while Bento becomes not only a carpenter but a fine sculptor. Meanwhile, an African boy, Odjidi, and his family are captured, separated, and sold into slavery in Brazil. Both Bento and Manuela are troubled by slavery; an open ending suggests that their brave secret maneuverings will result in the reunion of Odjidi's family members and their escape to a quilombo (according to the glossary, a "settlement of runaway slaves in…colonial Brazil"). Machado's straightforward narrative conveys much about the social history of the period, some of it demonstrated by events (plausible, if remarkably fortunate); much of it simply explained. Though the translation can be jarringly colloquial, it's also engagingly lively. The fast-moving adventure and authentic glimpse of Brazil's early settlers will recommend this to young readers as well as to admirers of prolific Andersen Medal winner Machado. joanna rudge long
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