FICTION

Unspoken: A Story from the Underground Railroad

illus. by author. 32p. CIP. Scholastic. Nov. 2012. RTE $16.99. ISBN 978-0-545-39997-5. LC 2011043583.
COPY ISBN
RedReviewStarGr 3–8—Gorgeously rendered in soft, dark pencils, this wordless book is reminiscent of the naturalistic pencil artistry of Maurice Sendak and Brian Selznick, but unique in its accurate re-creation of a Civil War-era farm in northwestern Virginia. On the dedication page, readers see a star quilt on a split rail fence, symbolizing the North Star. Confederate soldiers arrive on horseback and a farmer's daughter's lingering gaze betrays her intuition of their visit. She goes about her duties of feeding the animals and gathering harvested vegetables. In the recently harvested cornstalks propped up in the corner of the barn, she hears a rustling and sees an eye. Superb visual storytelling shows her hands time and time again offering a piece of corn bread, apple pie, a leg of chicken, each time on a small checkered kerchief, to the young, hidden runaway. The soldiers return with a poster: "Wanted! Escaped! Reward!" These words call out in the otherwise wordless book, and readers feel their power. Parallels between the fugitive and the farmer's daughter establish themselves visually when the latter gazes from behind a door, terrified at this threat. An author's note details the Civil War stories Cole heard as a young boy and underscores his intention of showing not the division, anger, and violence of the Civil War, but "the courage of everyday people who were brave in quiet ways."—Sara Lissa Paulson, American Sign Language and English Lower School PS 347, New York City
This wordless picture book opens with a calm scene: a quilt hangs over a rural split-rail fence. A young girl enters the scene on the next double-page spread, leading a cow and watching a small group of Confederate infantry ride by. The girl continues with her daily chores, including gathering potatoes from the root cellar, where, behind the cut cornstalks stored there, she glimpses an eye, signaling that someone is hiding amongst them. Time passes; surreptitiously, the girl leaves food for the fugitive. The family gathers for a meal; bounty hunters searching for a runaway slave appear -- and then leave. Frightened, the girl runs to check on the escapee and discovers that he or she has gone -- leaving her a handmade cornhusk doll. What Cole shows so superbly through his accomplished yet unpretentious pencil art -- the ideal medium for the book, as it looks as if it’s of the era as well as portraying the era -- is the keeping of secrets. The entire family appears to know what’s going on, but the extent of each character’s involvement is never made explicit; it is conveyed by body language alone, particularly in the exaggerated movements of those who believe they are being watched, their averted eyes when facing the bounty hunters, and the various hands that bring food to the fugitive slave. The back jacket, with an arresting close-up of the young heroine, personalizes the experience by asking young readers: “What would you do if you had the chance to help a person find freedom?” betty carter

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