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Thomas Comma

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Gr 6 Up—Originally written by poet Martha Baird as a radio play, The Comma That Didn't Belong Anywhere, this animated video about a comma looking for the right sentence is a literary example of aesthetic realism, the philosophy of the fight going on in every person. A person desires to like the world but also holds contempt toward it. Thomas, a comma, has ambition but doesn't feel that he belongs anywhere. That makes him sad. Because he is somebody, he won't become part of a sentence until it's the right one. He looks inside himself and realizes that if he wants to find a place, he needs an organized approach to finding it. He shuns modern literature and turns his nose down at newspapers and magazines. One day he awakens and realizes that his ordeal has made him a better comma. The hand drawn animation is simple but appropriate for the story line. Thomas, a plain black comma with an adult voice, shows his many emotions through facial expressions and body movements. Colorful scenes of different locations add interest level as Thomas searches for his proper place in life. This film, directed by Ken Kimmelman, offers a mature, metaphoric look at an individual's search for his proper place in life and the philosophy of aesthetic realism.—Robyn Gioia, Bolles School, Ponte Vedra, FL
In this beautiful, heartrending, yet horrifying film, North Koreans tell their stories of imprisonment, sexual slavery, torture, murder, and escape to China or South Korea during the nearly 50-year regime of Kim Il Sung (1912—94). The interviews are illustrated through the interspersion of dance sequences, archival news footage, and drawings. Particularly interesting are the North Korean propaganda films celebrating Kim Il Sung as God and showing in the face of mass starvation happy workers, elaborate military displays, and the creation of a new flower in 1988 in honor of the 46th birthday of Kim's son and successor, Kim Jong Il. A valuable time line traces 20th-century events in Korea. Bonus features include previously unreleased footage of camp refugees. This mesmerizing film displays excellent production values and is highly recommended for Asia collections.—Kitty Chen Dean, formerly with Nassau Community Coll., Garden City, NY

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