PreS-Gr 1—A young cave boy has a beloved pet, Woma, a woolly mammoth. Orq's mom is far less enamored of the malodorous, shedding, and poorly house-trained beastie. When she kicks Woma out of their cave, Orq hatches a plan to put the creature in his mother's good graces by teaching Woma tricks, such as speak, fetch, and roll over. Unfortunately, this scheme backfires, and Woma gets turned away again. All ends well, however, when Woma rescues Orq from a sabertooth tiger and becomes a hero—"Mother LOVE Woma. Woma back in cave." Nichols's hilarious tongue-in-cheek illustrations provide a perfect counterpoint to Elliott's terse, faux cave-man vernacular. Drawn in pencil but digitally colored, each spread enhances the story with comic antics by Woma, Orq, and a family of prehistoric birds. The words "love" and "big" are frequently enlarged to emphasize Woma's dimensions and Orq's enormous love for his furry companion. A fun and winsome addition to any collection.—
Yelena Alekseyeva-Popova, formerly at Chappaqua Library, NYEven cave boys get the blues, and Orq is living proof. The reason for his sadness? Mother isn't a fan of Orq's beloved woolly mammoth, Woma. In succinct Paleolithic "prose" (think Brendan Fraser in Encino Man), the mammoth's sins are laid out: "Woma shed. Woma smell. Woma not house-trained." Thus Orq concocts a plot to "teach Woma tricks" so "Mother love Woma." But even the best-laid plans of mammoths and cavemen often go awry, as well-meaning Woma proves difficult to domesticate, failing to get on Mother's good side. However, when Orq nearly becomes a meal for a saber-toothed tiger, Woma saves the day and -- finally -- wins Mother's heart. Elliott's brief text gives illustrator Nichols plenty of room to maneuver. In the sequence showing Woma growing larger, Nichols creates a humorous visual subplot as Orq's bird friend finds it increasingly difficult to access her nest (the mammoth has grown so big that he blocks the opening). As Orq nearly falls prey to the sabertooth, the illustrative pacing unfortunately becomes a bit jerky and somewhat confusing, leaving the too-short text to do the heavy lifting. This issue notwithstanding, the silly tale of unconditional love between a cave boy and his pet mammoth is a story for the (stone) ages. sam bloom
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