FICTION

The Wooden Sword

A Jewish Folktale from Afghanistan
The Wooden Sword: A Jewish Folktale from Afghanistan. illus. by Carol Liddiment. unpaged. CIP. Albert Whitman. Feb. 2012. Tr $16.99. ISBN 978-0-8075-9201-4. LC 2011015476.
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K-Gr 2—A shah decides to test a Jewish shoemaker's faith in God by outlawing each of the jobs he assumes, from shoemaker to water seller to woodcutter. The poor man eventually becomes a member of the royal guard, but can afford only a wooden sword. However, when he is told to behead a thief, he finds an ingenious way out of his predicament. The Afghani setting is reflected through the warm, earth tones and through the intricate patterns on rugs, clothing, and wall hangings in the background of the richly painted spreads. Despite the man's hardships, the simple yet elegant prose reinforces his optimistic refrain that "everything turns out just as it should." The lush, detailed backgrounds of the spreads bring to life the various settings, such as the marketplace where the man mends shoes and the shah's palace. Religious devotion is a theme throughout the story, but readers will be most drawn to the protagonist's cleverness rather than his piety. As a comprehensive author's note explains, the clothing and cultural traditions of the characters are historically accurate. Ideal for those looking to add ethnic diversity to their folktale collections.—Mahnaz Dar, formerly at Convent of the Sacred Heart, New York City
The shah decides to test a poor Jewish shoemaker who is rich in faith. First he outlaws shoe repair, then prohibits water peddling (the resourceful man's second employ), and finally forces him to act as palace executioner. The shah gains wise council from the man, whose faith and ingenuity remain steadfast. Rich-hued paintings highlight the characters' goodheartedness while incorporating culture-specific details. Source note appended.
One night when the shah can't sleep, he disguises himself as a servant and takes to the streets of old Kabul. He comes upon a Jewish shoemaker and his wife celebrating the Sabbath. The shoemaker invites the shah in to share the family meal. Though the shoemaker makes barely enough money to survive, he's rich in faith: "If one path is blocked, God leads me to another, and everything turns out just as it should." The shah decides to test the man's belief. First he outlaws shoe repair, then he prohibits water peddling (the resourceful man's second employ), and finally he forces him to act as palace executioner. Because we're told from the start that the ruler is a "good shah" and that he "would let no harm befall the poor man," readers can be fairly certain that, even as the stakes escalate, no one's head will roll. (Stampler's author's note discusses versions in which the power-wielding figure is less benevolent.) Liddiment's rich-hued paintings highlight the characters' goodheartedness while carefully incorporating many culture-specific details and motifs; the vibrant patterns and lush costumes play well against the desert backdrop. At the end of the story, everything has turned out "just as it should" for the shah, who gains wise council from the man, and for the former shoemaker himself, whose faith and ingenuity remain steadfast. elissa gershowitz

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