FICTION

The Water Castle

342p. Walker. 2013. Tr $16.99. ISBN 978-0-8027-2839-5.
COPY ISBN
Gr 4–7— In this novel, three loners become friends while searching for a miracle. After his dad has a stroke, Ephraim Appledore-Smith's physician mom moves the family to the Water Castle, their ancestral home in Crystal Springs, Maine. Ephraim, the prototypical ordinary middle kid, isn't thrilled about the relocation but looks forward to being the Big City fish in a small-town pond. Things don't go as expected, however, and he discovers that Crystal Springs is full of high achievers and deep, dark secrets. He learns about his family's long-running obsession with exploration, science, and finding the Fountain of Youth. Classmates Mallory, descendant of the Darling family, traditional caretakers of the Water Castle, and Will, whose family has been feuding with the Appledores for generations, join with Ephraim to find out the truth about Crystal Springs, and maybe a cure for Ephraim's dad. Part of the story is told through flashback passages from Nora Darling's perspective; she was hired by Orlando Appledore in 1908 to be his assistant, despite the fact that she was young, female, and black. Ephraim is a realistic kid: needy, uncertain, not particularly brave or logical. Mallory, Will, and Nora are also well drawn, as are some of the adult characters, though others are fairly flat. Not all of the mysteries are cleared up, though most can be guessed at, and the story ends on an optimistic note. Comparisons to Natalie Babbitt's Tuck Everlasting (Farrar, 1975) are inevitable, and there will be much for readers to discuss. An entertaining and thought-provoking fantasy.—Mara Alpert, Los Angeles Public Library
Ephraim, Mallory, and Will are spirited, relatable characters. The longstanding relationships between their families add an aspect of mystery and a sense of destiny to the kids’ adventures. The setting, the rural town of Crystal Springs, Maine, is vividly described and intriguing, a place readers would want to visit. Megan Frazer Blakemore’s clear and fluid writing makes excellent use of details and inventive metaphors: “The rain started falling that afternoon and pelted against the house. Ephraim’s window had a tin awning on it, and sitting on his bed it sounded like he was trapped inside a metal garbage can while stones were pelted at it.” Ephraim’s relationship with his father, and his determination to help reverse the effects of his father’s stroke, are a powerful central dynamic to the novel. The resolution of this aspect of the tale is memorable.

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