Gr 5-8–This gripping debut novel opens with a prologue that describes how the fairies left their own land, came to England, fought a war with the humans, and lost, leading to a mechanical Age of Smoke where church bells, iron, and mechanics are used to prevent magic. In this alternative world, Bartholomew Kettle and his sister, Hettie, are changelings, also called Peculiars, children of a human mother and a faery father who has abandoned the family. They live in the faery slums of Bath and follow their mother’s rule, “Don’t get yourself noticed and you won’t get yourself hanged.” When Bartholomew watches a beautiful lady from his window, she notices him, and his adventures begin. The lady is involved in a plot whose victims are changeling children, and when Hettie is kidnapped, Bartholomew joins forces with Arthur Jelliby, a member of Parliament who is investigating the plot and sees the boy as a person, not just a Peculiar. Arthur and Bartholomew begin to understand the scale of the plan and the danger that faces all of England, and they travel across the country to gather clues and save Hettie. Bachmann began writing this novel when he was only 16, and he’s still a teenager, making the atmospheric writing and tense plotting even more of an accomplishment. The Peculiar combines fantasy, mystery, and suspense with a wry humor and unusual characters to create an intriguing, thought-provoking whole that will leave readers looking forward to sequels. Fans of Neil Gaiman’s The Graveyard Book (HarperCollins, 2008) and young steampunk enthusiasts will find much here to enjoy.–Beth L. Meister, Milwaukee Jewish Day School, WI
In an alternate-reality England, a temporary door to the faery world has led to war, and the industrial revolution has hampered the stranded and oppressed faeries' magic. Bachmann skillfully sets tone and scene and has a great sense of rhythm and pace, but the plot is pretty plainly developed. Still, powerhouse fantasy readers will find sustenance here; the cliffhanger shocker suggests a sequel.
In an alternate-reality England, a temporary door to the faery world has led to war, and the industrial revolution has hampered the stranded faeries’ magic, resulting in a steampunk version of London and Bath with faeries as the oppressed immigrant population. Changelings -- here, the result of mixed marriages -- are called “Peculiars,” and lately several of them have turned up dead, and hollow, floating in the Thames. Changeling Bartholomew Kettle is kept mostly hidden by his mother, but when he witnesses, from his window, a beautiful lady in plum-colored velvet with a hideous second face, he ventures out. Mr. Jelliby, a “very nice young man” (and thus ineffective member of Parliament), plays the straight man in the story as he happens upon a deception engineered by the faery Lord Chancellor Mr. Lickerish, also involving the lady in plum. In alternating chapters, Bartholomew and Mr. Jelliby uncover a fiendish plot, ultimately joining forces to try and stop it. This first novel from a young author shows both promise and naivete. Bachmann is skillful in setting tone and scene and has a great sense of rhythm and pace: the story is continually exciting, but doesn’t feel rushed. Yet the protagonists occasionally break character (inconsistencies in Mr. Jelliby’s motivation are the most jarring) and state the obvious; and as thrilling and ethically complex as the plot seems, it’s pretty plainly developed. Still, powerhouse fantasy readers will find sustenance here; the cliffhanger shocker suggests a sequel; and Bachmann writes his scenes as if for an inevitable movie script. nina lindsay
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