PreS-Gr 4—Kids will jump right into this rip-roaring flip book—paced tale. A monkey, sitting chin-on-fist on a corner of land, eyes an inaccessible bunch of bananas on another piece of land across a strait. Wordlessly, the story begins: the monkey dips his toe to test the water; he cautiously walks in up to his belly (wordless top half panel); he smiles, realizing it is not too deep (wordless bottom half panel). "The monkey. The shark," reads the next spread, with the monkey paralyzed, dumbfounded, face to fin with the shark. "THE SHARK!" is the cry on the subsequent spread, and the monkey is running for his life back to shore, off the left page, in a full close-up. Action is king here, the characters and props named only with labels. The cartoon style is both hilarious and fresh, with smudgy charcoal lines and a soft, painterly touch executed by the heavy use of the digital blurring brush. Juxtaposed with the humor and emotional toll, the monkey's problem-solving processes and perseverance triumph and will inspire kids to think. The plot thickens, and the pace speeds up as obstacles mount and the battle ensues between the shark and the monkey, all told visually with labels. Whereas most children's books end with the protagonist winning, this slapstick ending pushes our comfort level. Don't lose out on the fun of sharing this two-dimensional enactment of the old adage "Necessity is the mother of invention."—
Sara Lissa Paulson, The American Sign Language and English Lower School, New York CityThe monkey sits on one island, and the bananas sit on another, separated by a body of water. Expressive, bold-outlined cartoon illustrations play up the comedy and action as the text uses silent filmlike scene-labeling: "THE MONKEY!"; "THE BANANAS!" Crafted to generate shrieks of laughter alongside shrieks of alarm, this nearly wordless book could appeal to individual beginning readers or to a storytime audience.
This nearly wordless picture book opens with a visually clear dilemma: the monkey sits on one island, and the bananas sit on another, separated by a large body of water. Expressive cartoon illustrations in panels with bold outlines and bright colors play up the comedy and action as the text introduces key plot points through scene-labeling reminiscent of a slapstick silent film: "THE MONKEY!"; "THE BANANAS!"; "THE SHARK"; "THE SHARK!" The energetic, exaggerated art uses size, space, and proportion to ramp up tension as each progressively more complicated effort to reach the bananas fails and nearly does the monkey in ("Chomp!"). Ultimately, the monkey survives and even obtains one of those hard-earned bananas, but the only real satisfaction falls to the shark. Crafted to generate shrieks of laughter alongside shrieks of alarm, this book with its specific words and repetition could appeal as easily to individual beginning readers as to a storytime audience of listeners. julie roach
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