FICTION

The Matchbox Diary

illus. by Bagram Ibatoulline. 40p. Candlewick. Mar. 2013. RTE $16.99. ISBN 978-0-7636-46011. LC 2012942613.
COPY ISBN
RedReviewStarGr 1–4—An Italian-American immigrant shares his childhood memories with his great-granddaughter. The twist of this tale is that his memories have been kept in a "diary" of saved objects that commemorate the important events of his life. As a poor child who could neither read nor write, this now-elderly gentleman found a unique way to preserve his memories by saving the objects in matchboxes. Among the many items were a box of sunflower seed shells that counted the days from Naples to New York, a fish bone to remember the long days the entire family had to work in the canneries, and a ticket stub from his first baseball game. The journey unfolds prompted by the child's curious questions. Her inquiries provoke the descriptive vignettes of an earlier time and yet frame the story through the eyes of a youngster of today. Ibatoulline's sepia-toned illustrations beautifully express this immigrant's tale from Italy to Ellis Island and the start of a new life. They also provide a wonderful contrast to the warm-colored illustrations that depict a loving, appreciative relationship between an elderly man and a young child. This lovingly crafted picture book tells an amazing story that is uniquely American. Through unsentimental, yet warm and touching dialogue, Fleischman successfully shares a powerful journey that captures the hardships, self-reliance, strength, and simple joys that characterized early immigrants. It provides an inspirational introduction to the immigration story that captures the humanity of the journey.—Carole Phillips, Greenacres Elementary School, Scarsdale, NY
Though the story is about one man’s immigration experience, at the heart of this book are universally relevant themes regarding the importance of family history and the memories that one generation can share with another. The narrative, which consists entirely of dialogue, focuses not only on saved objects, but also on the sensory-heavy memories they evoke: the taste of an olive pit, for example, and the texture of fish scales. Bagram Ibatoulline’s rich, detailed artwork brings both the past and the present to life; past events are illustrated in sepia, while the present-day action is rendered in full color. Paul Fleischman draws attention to the similarities between the stories contained in mementoes and the stories contained in books, emphasizing that both are valid and gratifying. The idea of a diary composed of objects will likely appeal to children; this concept could easily be translated into a classroom project.

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