FICTION

The Language Inside

528p. further reading. websites. Delacorte. May 2013. Tr $17.99. ISBN 978-0-385-73979-5; PLB $20.99. ISBN 978-0-385-90807-8; ebook $10.99. ISBN 978-0-375-89835-8
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RedReviewStarGr 7 Up—Emma, a 15-year-old American raised in Japan, feels adrift when she is transplanted to her grandmother's home in Massachusetts so her mother can undergo breast-cancer treatment. Though she is not Asian, she considers Japan her home. But to her surprise, she starts putting down roots in her new home by volunteering at a long-term care center and navigating a tentative relationship with another volunteer, a Cambodian American boy named Samnang. Emma's story weaves together a variety of disparate topics, including reverse culture shock, cancer, the Cambodian refugee experience, dance, volunteerism, and teen alcoholism. The number of themes could seem overwhelming, but is made manageable by the spare beauty and clarity of free verse. The format flows naturally from the plot, as Emma is a poet herself, and her volunteer service involves helping a stroke victim cope through the exercise of writing poetry. Today's teens, said to volunteer at a higher rate than previous generations, will see themselves in Emma as she looks beyond herself to understand and help others even while grappling with her own concerns. She is driven to help in the aftermath of the 2011 Great East Japan Earthquake and tsunami, and readers will cheer her on as she faces the challenge of contributing to relief efforts from a distance. Her longing for Japan will also resonate with those familiar with the country and its culture, as Thompson captures perfectly the feeling of belonging elsewhere. A sensitive and compelling read that will inspire teens to contemplate how they can make a difference.—Allison Tran, Mission Viejo Library, CA
In this verse novel set just after the 2011 Tohoku earthquake and tsunami, Emma, an American raised in Japan, and her family temporarily relocate to Massachusetts for her mother's cancer treatment. Emma is heartbroken to leave Japan, especially in its current state of crisis, and feels disoriented and lonely in America, where "the language outside / isn't the language inside." Emma finds some stability in her volunteer work at a long-term care center, where she helps paralyzed Zena transcribe her poems and meets sensitive Samnang, who works with elderly Cambodian refugees. Emma and Samnang bond over their patients and their mutual love of dance (she, ballet and traditional Japanese dance; he, traditional Cambodian dance and hip-hop). A migraine gives Emma sudden insight into how she and Samnang can bring their dance troupes together to help her beloved Japan. There's a lot going on here, but Thompson keeps the many plot elements cohesive, and the vivid imagery in the lyrical free verse lends immediacy to Emma's turbulent feelings. Readers will finish the book knowing that, like Zena, the Cambodian refugees, and the tsunami victims, Emma has the strength to "a hundred times fall down / a hundred and one times get up." Lists of poems referenced in the narrative and recommended resources are appended. katie bircher

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