Gr 8 Up—Anger over her mother's abandonment when she was small leads 16-year-old Lida to resent her father and stepmother and to abuse herself by cutting. Her harmful behavior lands her in the Alice Marshall School for troubled girls, deep in the Idaho wilderness. After a shaky start, Lida gradually befriends hard-edged Boone, who takes her on forbidden hikes to a forest lookout station where 25-year-old Ben gives the girls alcohol but otherwise behaves as a good friend. When drop-dead-gorgeous Gia arrives at the school, she and Boone hate one another at first sight, an animosity fueled by Lida, who is juggling a friendship with each of them. Once Lida introduces Ben to Gia, despite promising not to, Gia pretends she's a teacher and begins romantic visits with him. When Boone finds out, the negative intensity with Gia escalates, until a terrible altercation during a camping trip sends things over the edge. Lida's story is disclosed in first person, starting with an "epilogue," interspersing additional "epilogues" throughout, and finishing with a "prologue"—an unusual yet effective plot construction to keep readers guessing. However, although the girls' interactions are meant to be intriguing, Gia is manipulative, sketchy, and unlikable while Bo one is unpredictable and sometimes nasty. It's difficult to believe that Lida wants a friendship with either of them. Also, Lida never really gets beyond her wimpy attitudes in relationships even though she meets the school's outdoor challenges, which are geared toward making her a stronger person. Plus, unrealistically, the school claims to be strict about alcohol and cigarettes, yet there are no real repercussions for the regular indulgences that occur. The writing style, edginess, and buildup to the ultimate disclosure will attract teens who enjoyed A.S. King's
Please Ignore Vera Deitz (Knopf, 2010), minus the growth from invisible to invincible.—
Diane P. Tuccillo, Poudre River Public Library District, Fort Collins, COLida attends the Alice Marshall School, a correctional boot camp in the Idaho wilds. She keeps her secrets close, gradually revealing them in a first-person narrative penned two years after she left the school. Saldin presents the complex, layered terrain of relationships that develop among teens who share cabins and cigarettes but know only the bare minimum about one anothers' former lives.
Every girl at the Alice Marshall School ends up there for a reason, but, as fifteen-year-old Lida explains, the "Thing" that gets each one packed off to this correctional boot camp in the wilds of Idaho isn't always obvious. "Because, see, even though most girls were sent to Alice Marshall for one specific thing that they did, a final straw like robbing a wine bar, our Things were more complicated than that. They were as layered as the contour lines on a map." Similarly, Saldin presents the complex, layered terrain of relationships that develop among teens who share cabins and cigarettes and bathhouse duty but often know only the bare minimum about one anothers' former lives. Lida, a perpetual loner, keeps her secrets close, only gradually revealing them to readers in a first-person narrative penned two years after she has left the school. (Present-day scenes with a therapist foreshadow an unhappy end to her story.) Caught between the two most powerful students -- caustic, angry Boone and bewitching new-girl Gia -- she finds herself opening to the possibility of friendship, always a risky endeavor but even more so in this environment of manipulation and buried truths. The remote setting enhances the palpable sense of danger; some of the girls fear bears or mountain lions, but, really, the scariest thing they could confront in those woods is one another. And themselves. christine m. heppermann
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