FICTION

The Curiosities: A Collection of Stories

October 2012. 296p. 978-0-76137-752-2.
COPY ISBN
Gr 9 Up–The authors behind the group blog Merry Sisters of Fate have combined their talents to create a collection of 30 fantasy short stories that dazzle. The selections themselves are finely crafted, with fully realized characters and unique settings. Each one has an introduction that reveals the author’s thought processes in creating the story arc. Amusing handwritten comments, replies, and drawings allow readers a glimpse into the women’s friendship and how their critiques of one another’s work helped them grow as writers. A handwriting key at the beginning of the book permits readers to identify who said what, lowering the wall between writer and reader to reveal each author’s personality. Yovanoff has a gift for stories that explore evil soul mates. Stiefvater examines power and modern society with a healthy dose of angst and a dash of fire. Gratton creates a world of complex magic and courageous characters whose stories usually end with a choice to be made. The book opens strongly with a trapped vampire and a girl who must choose whether or not to free him. There are tales of trolls, zombies, and psychopaths, and even Arthurian legends. Each story stands totally on its own, but together, the cohesive group is more than the sum of its parts. This anthology is a must for all YA collections. Promote it to traditional fantasy lovers, paranormal fans, and aspiring authors. It might even be the inspiration for starting a library writer’s group.–Cindy Wall, Southington Library & Museum, CT
These experimental, unedited short stories showcase the many faces of horror -- goth, faerie, ghostly, grotesque, lyrical, vengeful, and nasty-cool. Some clusters of tales are responses to a subject prompt like "King Arthur" or "puddles"; others are one-offs. Creatures such as vampires, dragons, and zombies are joined by original creations such as butterflies in temporary human form. The stories all tend toward the traditional structure of a surprise ending. The pieces were first published online by the three authors as an exercise in creativity and criticism, and the presentation here is innovative, incorporating critique comments, hand-written marginalia describing the writer’s process, doodles, short essays, and diagrams. The stories themselves are strong, but the apparatus can get in the way; the self-congratulatory tone of the comments wears thin, and some of the process notes ("I suck at inventing new slang") add little to the reader’s understanding or pleasure. sarah ellis

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