Gr 10 Up—Bounce, 14, is on a path of horrifying behavior. Her wealthy parents are in the pharmaceutical business, are rarely home, and pay little attention to their sociopathic daughter. Bounce has endless access to drugs like Oxycontin, and she uses them to attract and control male sidekicks Orange and Wiggins. Both come from poverty and troubled homes; Orange is the more willing of the two. When Bounce gets angry at a visiting poet in her Honors English class, she decides to seek revenge through a complicated scheme that involves kidnapping a toddler and some disturbing violence. This book is reminiscent of Truman Capote's
In Cold Blood (Random, 1965), only it involves middle school students. It has a healthy infusion of cringe-worthy scenes and a cavalier attitude toward sex. Wiggins is the only character who seems to have any conscience at all, but he is not enough to make readers feel good about this novel. But that is not the author's intention. The raw and edgy story line and language have a powerful impact, and the novel will deservedly find an appreciative audience. Give this one to mature fans of books like Joanne Harris's
Blueeyedboy (Doubleday, 2010) and Sapphire's Push (Knopf, 1996).—
Jake Pettit, Thompson Valley High School, Loveland, COBounce--rich, bright, cynical, and manipulative--masterminds the kidnapping of a three-year-old girl, assisted by "chuckleheads" Wiggins and Orange. The tension of this unsettling novel, related in alternating voices, resides in whether or not Wiggins will act on his growing unease at what the trio is doing. Rapp creates distinct voices for the four characters, and the tale has a frenzied power.
They took her from the dance studio near the Home Depot, a three-year-old girl coming from ballerina class dressed "like a toy on a birthday cake." Wiggins, Bounce, and Orange chain her to a hot-water pipe in the basement and make posters asking for help in finding the little girl they've abducted. The scam works, and money starts coming in. Bounce -- rich, bright, cynical, and manipulative -- masterminds the crime with her "seventh-grade loner chuckleheads." It's an unsettling tale with a Clockwork Orange edge to it, and only Wiggins has a glimmer of a soul, "so deep inside that the doctors can't find it with all their machines and microcameras." The tension of the novel, related in alternating voices, resides in whether or not Wiggins will act on his growing unease at what the trio is doing. Rapp creates distinct voices for the four characters, and, as off-putting as the subject is, the tale has a frenzied power. In a world where parents do leave their children to the wolves, and where television, the mall, video games, and drugs are more seductive than anything school has to offer, such deeds don't seem so unthinkable. Rapp captures a world that might just be right down the street. dean schneider
Be the first reader to comment.
Comment Policy:
Comment should not be empty !!!