NONFICTION

The Adventures of Achilles

October 2012. 96p. 978-1-84686-800-9.
COPY ISBN
Gr 6-8–While many kids might be familiar with the gods and heroes featured in the Iliad, they may not know how these characters relate to one another and, indeed, how the story actually plays out. To remedy that, two noted storytellers pair with an award-winning illustrator to adapt the story into 12 beautifully designed chapters and an epilogue. The focus is on the legendary warrior Achilles, beginning with his birth and childhood, his entry into the Trojan War, and his life as a soldier. Some chapters expertly cut away to introduce other players, like Paris and Helen, or Hector and Priam, and show how the machinations of the gods affect the story. Throughout, the writing style easily switches between florid prose and functional plot-driven narrative to capture the mood of the adventure at hand while making sure kids can follow what is happening and why. While the storytelling is simplified when necessary, the content is anything but: details of the violence of the Trojan War, as well as the sexual escapades of the gods are included, and underlying themes of the story, like the role of fate and luck, are presented again and again. Each chapter is heavily illustrated, giving at least a quarter of each page to dreamlike images that reinforce the mythological feel of the story. The images focus on characters depicted against scenes of nature, home, or war, all using acrylics to mimic the look of ancient Greek and Roman art, with rounded shapes, swirls, and muted colors that somehow brighten the page. A good choice for libraries where the epics and myths of ancient Greece are popular.–Heather Talty, formerly at Columbia Grammar & Preparatory School, New York City
Two practiced British storytellers focus on the titular warrior for a succinct account of the Trojan War, supplementing Homer's Iliad with other ancient sources (an author's note would have helped). Expertly honed language moves the events along swiftly. Acrylic illustrations, bright with Attic red and Aegean blue, recall ancient Greek art and second the meaning of the text without competing with it.
Two practiced British storytellers focus on the titular warrior for a succinct account of the Trojan War, supplementing Homer’s Iliad with other ancient sources (an author’s note would have been useful). The fateful golden apple of discord first appears at Achilles’s parents’ wedding; Achilles’s fury over Agamemnon’s appropriation of his slave, the beautiful Briseis, leads to his friend Patrocles’s death, which in turn leads inexorably to Achilles’s killing and dishonoring Hector, and then to his own death. From Zeus’s lust for Achilles’s mother to the goddess of strife’s last word after Troy’s fall, the gods’ interference is decisive here. Their amours, and humans’ too, are frequently significant, if discreetly reported: when Hera seduces Zeus, they “took their delight of one another” in a “golden cloud.” Expertly honed language moves the events along swiftly: “Whole years passed with barely a skirmish.” When Patrocles enters the battle in Achilles’s armor, “every man felt a cold shudder from the nape of the neck to the root of the spine...Death rode a chariot that day.” Acrylic illustrations, bright with Attic red and Aegean blue, recall ancient Greek art. Appearing variously as borders, bands, or pages, they second the meaning of the text without competing with it, not even when the “Rage of Achilles” is compressed into an encompassing drop of blood. This fine introduction might well be followed with Rosemary Sutcliff’s subtler, more detailed Black Ships Before Troy (1993). joanna rudge long

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