PreS-Gr 1—In the heavens, the angels are excited; a baby is about to be born. There are to be lots of gifts for the infant, but the littlest angel can't figure out what she should give him. Wind? No, that's a gift of the sky. Rain? No, that's a gift of the clouds. Finally, she thinks of the perfect gift for anyone who might be lonely or lost, and she transforms herself into a very bright star in the dark sky. The pen, ink, and watercolor illustrations depict a traditional first Christmas on Earth, with wise men, camels, and shepherds against the backdrop of a dark Bethlehem night. But up in heaven, the angels are multiethnic winged children dressed in long white split-tailed jackets, waistcoats, and culottes, frolicking on shiny platforms and consulting flat-screens on stands to get news from below. The newest angel is a small, red-haired child who sports an old-fashioned pilot's helmet with goggles. Somehow, this works—the angels do indeed look otherworldly, and the winsome style of the illustrations complements the simple, sweet text. A different and quietly charming take on the Christmas story.—
Eva Mitnick, Los Angeles Public LibraryAn angel ponders what to give a soon-to-be-born baby, deciding on "the best gift of all"--she can provide a comforting "light in the darkness" by becoming a star (the Star of Bethlehem, in fact). McGhee conflates the Christmas and Epiphany stories, with the Magi already in attendance at Jesus' birth. Those willing to overlook that will enjoy the sweet text and endearing illustrations.
The "newest angel" ponders what to give a soon-to-be-born baby. She finally strikes upon "the best gift of all" -- she can provide a comforting "light in the darkness" by becoming a star (the Star of Bethlehem, in fact). McGhee conflates the Christmas and Epiphany stories, with the Magi already in attendance at Jesus' birth. But those willing to overlook that detail will still take enjoyment from the sweet text and Reynolds's endearing pen, ink, and watercolor illustrations, rendered in a soothing blue and violet palette with plentiful white space. katie bircher
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