Gr 6–8—Denny "Donuts" Murphy is a champion pretender. He is a whiz at feigning that he and his father have a great relationship, that he is content to be the class clown, that he doesn't worry about others' opinions of him, but most of all, he is gifted at pretending that his mother is still alive. To this end, Donuts even carries her old cell phone and "talks" to her when he needs a sounding board. Manny, Donuts' self-involved best friend, is neglected by his own mother and father and has taken to grieving the death of Mrs. Murphy as his own parental loss. Craving an all-encompassing distraction, Donuts lets Manny talk him into a candy-selling scheme designed to help the boys score dates for the upcoming seventh grade dance. The plan spins out of control, but through quick wit and innate charm, Donuts ends up coming out on top. Although the plot begins slowly, Blackstone manages to craft true-to-life characters who eventually work through their demons with their sense of self wholly intact. Readers looking for a modern tale about fitting in need look no further.—
Colleen S. Banick, Westport Public Schools, CTEver since his mother died, seventh grader Denny "Donuts" Murphy has felt alone and small. So he intentionally develops a big persona, making everything into a joke. With the help of friends and a budding romance, Donuts sheds his manic showman exterior. The first-person narrative is a perfect vehicle to reveal Donuts's inner self in this story of substance and hope.
Ever since his mother died, seventh grader Denny "Donuts" Murphy has felt alone and small, "small as the ants on the classroom floor nibbling on a stray piece of mozzarella cheese." So he intentionally develops a big persona: clowning in the classroom, making everything into a joke, doing robot dances and "surfing" on a desk (before falling into the trash can). But inside, Donuts is hurting, often pulling out his cell phone to call his mother, if only to make him feel that she's with him for a moment. Donuts's grieving father is barely coping, and Donuts feels as if he's also lost him. "Sorry you're lost," Donuts says. "I'm lost, too." But, gradually, with the help of friends and a budding romance, Donuts sheds his manic showman exterior and learns to appreciate the good of the world. The first-person narrative is a perfect vehicle to reveal Donuts's inner self, and what might have been just a series of clichéd middle-school antics turns out to be a story of substance and hope. dean schneider
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