FICTION

Slog's Dad

978-0-76364-940-1.
COPY ISBN
Gr 5—8—The spring after Davie's friend Slog loses his father, the two boys encounter a man on a bench whom Slog believes to be his dad, returned from heaven. The narrative then recounts the man's illness, which included multiple amputations, and his death. Originally written as a short prose piece, Almond's story has been not so much illustrated, but framed and given visual sequences that amplify and reinforce the boy's grief. McKean combines paint, photography, and some digital manipulation to create some very tonal and evocative extensions. This technique is effective, but it also makes the collaboration more emotionally abstract than a simple story. But complexity and abstraction can also engender ambiguity, and it's difficult to say for certain how readers are supposed to feel about the doubts Davie expresses about Slog's dad's veracity, or the way that Almond mixes the mundane and the supernatural. The Savage (Candlewick, 2008), the pair's earlier collaboration, was a fairly clear-cut tale of magical realism, identity, and wish-fulfillment, but the focus on mourning here makes the resolution more difficult to pin down. There's an honesty to it, just as there is a raw, emotive honesty to McKean's illustrations, even if it's sometimes delayed until the context for them comes like a punch in Almond's next text section. This is a strangely incomplete, but fascinating work that may leave readers uncomfortable with the sudden ending. But for those who have dealt with the lack of closure that intertwines with loss, this will be a particularly resonant book.—Benjamin Russell, Belmont High School, NH
When Slog points out his father on a park bench, Davie is skeptical: Slog's dad has been dead for months. In the end, what Davie thinks is true isn't as important as what Slog needs to believe. Interspersed with moody pictorial segments, Almond's elegiac short story, in thick British dialect, sensitively explores grief, acceptance, and closure.
By highlighting the mystery and ambiguity surrounding death and the afterlife, David Almond turns a potentially simple story into a powerful meditation on love and loss. Dave McKean’s mixed-media illustrations zoom cinematically, heightening the drama. The artwork brings readers close to Slog, and then tears them away, replicating Slog’s experience with his father. The book’s striking format, alternating between pages of text and graphic-novel-like segments, ably demonstrates that writing and artwork are equally valuable forms of storytelling. The narrator uses a unique yet accessible North British slang. This vernacular grounds the book in a particular place, but at the same time, describes universal emotional experiences.

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