FICTION

Silver People: Voices from the Panama Canal

272p. Houghton Mifflin Harcourt. Mar. 2014. Tr $17.99. ISBN 9780544109414.
COPY ISBN
Gr 6–9—It is 1906, and the race to build the Panama Canal is wide reaching. There is nothing 14-year-old Mateo desires more than to escape his Cuban home and his abusive, war-ravaged father. Armed only with his courage and lies that provide him passage, he heads to Panama in hopes of finding a future building the canal. What he discovers, however, is perilous work and harsh inequality. This masterfully written novel in verse brings to life every bit of Panama, from the horrible working conditions of the islanders, forced to dig the canal for next-to-nothing wages, to the lush forest and wildlife. Mateo's relationships with Henry, a Jamaican laborer; Anita, a Panamanian herb collector; and Augusto, a Puerto Rican geologist, are elegantly developed and assist in highlighting the extreme segregation and prejudice faced by those building the canal. Each poem is short but powerful, and the characters, landscapes, and quality of life are masterfully portrayed. While turmoil abounds, Mateo, Henry, Anita, and Augusto are all able to find their peace and a future in Panama. This richly developed novel is an excellent addition to any collection. In this compelling story, Engle paints a picture of an often-looked era and highlights the struggles of the people and the arrogance of the Americans.—Ellen Norton, White Oak Library District, Crest Hill, IL
In melodic verses, Engle offers the voices of the dark-skinned workers (known as the "silver people"), whose backbreaking labor helped build the Panama Canal, along with the perspective of a local girl. Interspersed are occasional echoes from flora and fauna as well as cameo appearances by historical figures. Together, they provide an illuminating picture of the project's ecological sacrifices and human costs. Bib.
Of the thousands of people from around the world who helped build the Panama Canal, the voices of the dark-skinned workers have been seldom heard. Known as the "silver people" because they were paid in silver (lighter-skinned workers were paid in gold), they got little respite from backbreaking labor, certainly not in the horrendous living quarters to which they were assigned. In melodic verses, Engle offers the voices of three such workers: Mateo, a fourteen-year-old Cuban boy escaping his violent father; Henry, a Jamaican man who wants a better life for his family; and Augusto, a Puerto Rican artist hired as a map maker. We also hear from Anita, a local girl who provides an account of how the canal work is changing the landscape. Interspersed are occasional echoes from birds, trees, frogs, insects, and the ever-present howler monkeys ("WE HATE YOUR BOOM / WE FEAR YOUR BLAST…GO AWAY GO AWAY GO AWAY…") as well as cameo appearances by historical figures such as chief engineer George Goethals and President Theodore Roosevelt. Taken together, they provide an illuminating picture of the ecological sacrifices and human costs behind a historical feat generally depicted as a triumph. If there's any triumph at all here, it's in the relationships among the four principal players who survive and ultimately thrive on a newly formed island in the middle of the canal, an island that was once a mountaintop. kathleen t. horning

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