Gr 2–5—This gentle, reflective book shares a story of the civil rights movement, one that is perhaps less known but no less powerful than many others. Huntsville, AL, was considered a space center, with NASA's George C. Marshall Space Flight Center and a few supporting satellite companies in the area, and the call for change that was sweeping through the South followed a slightly different path in this town. Bass shares how African Americans looking for change pursued many of the same avenues that were used throughout the country including boycotts and sit-ins. But unlike the violent clashes that occurred in other communities between white residents and protestors, the people of Huntsville were a bit more reluctant to use violence. Many white citizens relied on the space industry for their income, and to antagonize the federal government could mean the loss of jobs and a weakening of the local economy, and thus, a more peaceful transition to desegregation and more equal treatments happened in Huntsville than in many other places. Lewis's trademark watercolor paintings pair perfectly with this lyrical recounting of events, and he masterfully moves between detailed illustrations depicting faces of grim determination of lunch counter patrons to the more impressionistic scenes of protesters facing water hoses. The book covers quite a bit of ground, both in time and content and can be long for a read-aloud, but it's well worth the time to share such a moving, inspirational story.—
Jody Kopple, Shady Hill School, Cambridge, MAAn engaging and thoughtful presentation of a lesser-known civil rights story. Hester Bass’s use of the present tense grabs readers’ attention and places them in the time period: “Huntsville has escaped the violence that has divided some cities into black and white. However, like a lot of places in America, there are invisible lines not to be crossed.” Concrete examples of segregation highlight injustice: “A girl carries paper pictures of her feet because she won’t be allowed to try on shoes,” and “black men and women sit at lunch counters . . . They have money and can buy anything in the store, except lunch.” E. B. Lewis’s compelling illustrations capture a tense but hopeful climate. Among the standout images are a march around the Huntsville courthouse and student Sonnie W. Hereford IV, “the first black child to attend a formerly all-white public school in the state of Alabama.” A scene of a tumultuous 1963 protest in Birmingham provides poignant contrast to Huntsville’s nonviolent—and atypical—integration. In her informative author’s note, Bass identifies the specific instances of integration and “reverse” integration that inspired her story, provides historical context, and explains what happened after Huntsville was integrated.
In this welcome story of nonviolent protests in early 1960s Jim Crowera South, black residents of Huntsville, Alabama, organize Blue Jean Sunday--a boycott of shops that sold traditional expensive Easter outfits; students plan a sit-in at a lunch counter; schools are integrated through persistence and peaceful methods. Bright watercolors backdrop the relevant, calmly told story.
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