FICTION

Remy and Lulu

illus. by Kevin Hawkes & Hannah E. Harrison. 40p. Knopf. Sept. 2014. Tr $17.99. ISBN 9780449810859; ebk. $10.99. ISBN 9780449810897; lib. ed. $20.99. ISBN 9780449810873. LC 2012021740.
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RedReviewStarK-Gr 3—This is a delightful story that must be viewed and read several times to capture all of its wonderful details, humor, and charm. Remy is an artist who paints "the essence of a person, not their likeness," no doubt because of his very poor eyesight. Lulu is a Jack Russell-type dog who becomes Remy's traveling companion, but Lulu happens to be an artist as well. When Remy sets up his huge canvasses to paint a portrait, Lulu draws a miniature portrait down along the bottom of the canvas at Lulu height, but Lulu's subjects are the animals that each poser has with him or her. While Remy's portraits are quite abstract and usually integrate some of the pet's features into the image of the sitter, Lulu creates finely detailed portraitures of the pets with extravagant clothing reminiscent of their owner. The patrons are astonished at Lulu's talent, and the duo become solvent, as well as the talk of the town. It is only when one patron, an optometrist, gives Remy a new pair of spectacles that Remy "sees" why his popularity has taken a sharp upturn. The result is utter despondence until an invitation comes their way that gives both a new perspective. Reminiscent of Peggy Rathmann's Officer Buckle and Gloria (Putnam, 1995), the dog is the one with the crowd-pleasing talent, while the human remains oblivious for a time. Children and adults will enjoy giving the two types of paintings a close look and picking up the subtle humor in each. Hawkes has done the illustrations for the story, but Harrison is credited for creating Lulu's miniatures. The contrast of the two types of illustration is what make this book so clever.—Maggie Chase, Boise State University, ID
[=Miniatures by]Lulu is a clever little Parisian dog. Remy is an itinerant painter. Once the two join forces, Lulu's meticulous vignettes of Remy's sitters' pets, which she surreptitiously adds to Remy's paintings, delight his subjects--though not Remy. Lulu's canny taking-charge is amusing. Meanwhile, the three contrasting painting styles--Lulu's classic elegance (thanks to Harrison), Remy's turn-of-the-twentieth-century modernism, and Hawkes's own lively and painterly milieu--are inviting.
Lulu, a lithe and clever little Parisian dog, used to live with a "great portrait painter," but now she's homeless. Remy, a hirsute itinerant painter, is also down on his luck. Even with his specs, Remy's eyesight is poor; thus, "I paint the essence of a person, not their likeness." Unfortunately, his impressionistic portraits don't please buyers; fortunately, unbeknownst to Remy, Lulu is an artist, too. Once the two join forces, Lulu's meticulous vignettes of Remy's sitters' pets, which she surreptitiously adds to Remy's paintings, delight his subjects: "Such detail! Such color!" Orders pour in and all goes well until, donning new glasses, Remy discovers what Lulu has done and quits painting in self-disgust. Lulu saves the day by returning Remy's old glasses--through which his true artistic vision is once again clear. Even those not quite ready to distinguish between literal and artistic vision, or to recognize visual references to such luminaries as Picasso and Monet, will be amused by Lulu's canny taking-charge. Meanwhile, the three contrasting painting styles--Lulu's classic elegance (which Harrison renders with notable humor), Remy's turn-of-the-twentieth-century modernism, and Hawkes's own lively and painterly milieu--together make an inviting and amusing introduction to the myriad possibilities of representational art. joanna rudge long

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