Gr 1–4—Jeffers's empathic nature, evident from his sympathetic renderings of Drew Daywalt's beleaguered crayons in The Day the Crayons Quit (Philomel, 2013), here extends to the hardworking letters. This eccentric and entertaining anthology is introduced by an eloquent syllogism about the relationship of letters, words, and stories. While each four-page tale showcases a (seemingly) hand-drawn capital and lowercase letter, and many of the words—and unnamed objects—begin with the corresponding letter, this is not your mother's abecedarium. It is a framework for Jeffers's intriguing worldview, combining ludicrous juxtapositions and situations and a great capacity for gentleness. Some passages are scientific: "Mary is made of matter….she got sucked through a microscope and became the size of a molecule." The facing page shows Mary floating under the lens. The blackboard-style background is filled with "molecular" diagrams (mattresses, a moose, mums). Other sections are a mite macabre: "Jack Stack the Lumberjack has been struck by lightning one hundred and eleven times…." The lightning illuminates a skeleton, but after the page turn, the man appears in his jammies, normal, except that he can provide his own electricity. There is humor in the alliteration and mixed-media scenes: a puzzled parsnip, Victor the vanquished "plotting his vengeance," and an enigma featuring elephants and envelopes. The author respects his readers' intelligence, inserting expansive vocabulary, cameos from characters in previous books, people and plot threads that cross stories, and quiet details to discover in subsequent readings. An altogether stimulating, surprising, and satisfying reading experience.—Wendy Lukehart, District of Columbia Public LibraryWe are currently offering this content for free. Sign up now to activate your personal profile, where you can save articles for future viewing
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