Gr 1–3—One day, Nasreddine and his father, Mustafa, a wise and patient man, load a basket of dates on their donkey's back to take to market. Mustafa rides, and the boy walks behind. A powerful vizier sees them and criticizes Mustafa as "a lazy man who lounges and makes his son slosh through the mud!" Nasreddine is embarrassed so a few weeks later he feigns a twisted ankle so that he can ride on the donkey while they take wool to the weavers. However, several women see him on the donkey and his father walking behind. "Fathers don't have any authority at all….No one respects older folks anymore," they say. Next time, they both ride on the donkey, along with a rooster and hens in a cage. Now they are criticized for being cruel to the animals. When Nasreddine decides that the only way to end the criticism is to carry the donkey to market, Mustafa gently explains his mistake. "People can always find a way to criticize you if they want to….It's up to you to decide if what you're hearing is wise or if it's only a silly and hurtful remark." This story, illustrated in ink and earth-toned watercolors, is based on traditional stories told throughout the Middle East. The writing style, with its subtle humor, repetition, and lesson, follows the familiar folktale format. A fine addition for most children's collections.—
Roxanne Burg, Orange County Public Library, CAVariants of "The Miller, His Son, and Their Donkey" date back at least to the Middle Ages and to traditional Middle Eastern tales. Here Nasreddine is the son of wise Mustafa, who uses the story's events to teach the boy an important lesson. Four times the two set out for market with their donkey; each time passersby complain: "A lazy man...makes his son slosh through the mud"; but when "children ride, and their elders walk...Fathers don't have any authority." Each time, Nasreddine is so disheartened by the criticism that he runs home. He suggests that they both ride, only to have old men complain that "some people can be so horrible to their animals"; when both walk, children laugh at them. There's a culture-revealing specificity in the goods they're taking to market (dates, wool, chickens), in the critics, in the repartee, and in such details as Nasreddine walking barefoot to save his slippers from the mud. In Dautremer's comical and evocative art, double-page-spread scenes, vibrant with organic-looking architecture and creative perspectives, alternate with pages of expressively elongated figures on pure white. In the end what Nasreddine learns is explicit -- "You can't be afraid that other people will judge you" -- but it's a truth Mustafa has wisely let him discover for himself. An entertaining variant on a familiar tale, gentler in action yet more pointed in meaning. (The brief, generalized note gives no specific source.) joanna rudge long
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