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My Havana

Memories of a Cuban Boyhood
72p. 978-0-76364-305-8.
COPY ISBN
Gr 4—6—In an author's note, Wells explains that she first heard a radio interview with the architect Secundino Fernandez in 2001 in which he spoke of leaving his homeland at the beginning of Castro's regime. Wells related to his story and tracked him down; the result is this engaging fictionalized tale. It follows Dino's idyllic childhood in Cuba to his years of living in Spain with his maternal grandparents, back to Cuba, and then describes his life as a Spanish-speaking immigrant in New York City in 1959. He laments the cold, drab winter and his difficulties with the language. He gets lost on the way home from school; his Puerto Rican classmates speak a different dialect; and his teacher is mean to him until his drawing skills win favor. By the end of the school year, Dino has made a friend, been promoted, and discovered Coney Island. "New York sunlight, shimmering with the promise of summer, settles round my shoulders like the arms of my mother. It is almost like my Havana." The story is a window into the early life of an artist; Fernandez sees his world differently, noticing colors, shapes, and textures—even temperatures—of the buildings around him. Readers are introduced to several infamous dictators and political figures including Castro, Che Guevara, Franco, Hitler, and Batista. Striking, full-color, full-page illustrations, along with black-and-white thumbnails and a few childhood photographs, capture the magical memories that inspired this tribute.—Barbara Auerbach, PS 217, Brooklyn, NY
With Secundino Fernandez. Dino's family emigrates from Cuba to New York City when Fidel Castro takes power. The boy, overcome with homesickness, copes with his new surroundings by creating sketches of his beloved Havana. Wells's authentic-sounding first-person narration (with her subject's help) describes architect Secundino Fernandez's childhood. Ferguson's lush oil paintings reflect the story's emphasis on place and imagination.
Through Dino’s first-person narration, readers will gain a strong sense of his love for Havana, “a city built by angels.” Those who have recently moved or immigrated, or have had to relocate frequently, will identify with Dino’s feelings of homesickness. The poignant story clearly depicts Dino’s life-long passion for buildings and architecture. The model of Havana that he builds to help deal with his homesickness is impressive. Peter Ferguson’s atmospheric illustrations frequently include arches, columns, and other architectural details. Small sketches dot the pages’ margins, echoing Dino’s art-filled sketchbooks and homework assignments.

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