FICTION

My Father's Arms Are a Boat

tr. from Norwegian by Kari Dickson. illus. by Oyvind Torseter. 32p. Enchanted Lion. Feb. 2013. Tr $15.95. ISBN 978-1-59270-124-7.
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K-Gr 3—This quiet, melancholy picture book spans a long, lonely night with a boy and his father. Unable to sleep, the youngster climbs into his father's lap and through a conversation that lasts several spreads starts asking about the animals outside: "What about the red birds?" "Are they asleep?" "Is the fox asleep too?" "Is Mommy asleep?" Mommy is asleep and here readers finally learn why this book told from the boy's perspective feels so forlorn-Mommy isn't going to wake up. The cut-paper collage illustrations are somber and ethereal, and the paper-doll details and layouts in black, white, and blues with touches of orange draw children in. After the father carries his son outside to look at the stars, they come back in and comfort each other through the rest of the long night. Neither sleeps, but on the final page, done in warm orange, the father's words offer solace and hope. "'Everything will be all right,' says Daddy." "Are you sure?" "I'm sure." This distinctive look at life, death, and grief is beautiful and thought-provoking.—Julie Roach, Cambridge Public Library, MA
Where Rebecca Cobb's Missing Mommy, reviewed on page 83, is all plain speaking and simple comfort about the death of a mother, this book from Norway is indirect and mysterious in its depiction of a grieving father and son. A little boy is having trouble sleeping, his unease echoed in the cool, sparely awry picture of his bedroom, his pillow providing the only spot of color. His father takes him into the similarly gloomy living room to comfort him; the two discuss the birds and the fox that live in the surrounding woods until the boy, after recounting his grandmother's belief that "the red birds are dead people," asks his father if Mommy will ever wake up again. Honest, but gently changing the subject, the father replies, "No, not where she is now. Should we go out and look at the stars?" And, in a sequence reminiscent of Charlotte Zolotow's The Summer Night, so they do, the monochromatic illustrations now seeming enchanted rather than sad. When the two return inside, the red glow of the fire warms the page, the family, and the reader, as the father reassures the son that "everything will be all right." The quiet, intimate text and enigmatic paper-collage and ink illustrations make a world of their own that commends interest beyond the therapeutic. roger sutton

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