Gr 2–6—In this original creation myth, set "long ago and far away, in a world rather like this one," the gods have left some things unfinished. Having created mountains, camels, people, and other phenomena, they are now prone to enjoying naps and teatime in the clouds more than work. Yet, there are "places that were filled with emptiness." Almond's potent text and McKean's otherworldly caricatures create a magic that is all-absorbing. Text and image are more tightly connected in this hybrid format than in previous collaborations. Often they are contained together in panels of varying sizes and shapes. Sometimes the words are overlaid on pictures or a sentence or paragraph is framed by the full-page composition. The design propels readers through the story of Harry, Sue, and Little Ben, who, when bored with the world they know, start imagining and then fashioning new creatures. Each animal, made from materials at hand and called to life by the children's commands, gets progressively larger and more threatening until Harry's wolf gobbles up the two older children. Realizing that the gods are no help, Ben addresses the danger by unmaking the beast and rescuing the youth within. The ending leaves an opening for trouble to rise again. Almond's mythic and folkloric elements, wrapped in his own fertile imagination, combine with McKean's expressionistic illustrations to produce a whole that reveals the beauty and terror encountered in the created world and in the human spirit.—
Wendy Lukehart, District of Columbia Public LibraryAll creation and its quandaries are encompassed in this succinct fable. The gods -- hefty caricatures in grisaille, drowsing and carousing on clouds -- have abandoned their work with "still much making to be done." Below, Little Ben is first to notice: "Why are there so many gaps and spaces?" Soon he, Sue, and Harry are dreaming up creatures, positing their traits and piecing together such stuff as wool and grass till they materialize. Ben's mouse and Sue's bird are "clever," remarks a god; then Harry, a lanky teen, stares into sky, earth, and his own dark self to contrive a more problematic snake. "Enough," worries Ben, but Harry and Sue are on a roll: using sticks and stones they make a terrifying wolf, which gobbles them up. And though Ben manages to undo their evil creation, "now their wolf was inside them, like a dream." McKean expertly matches frames and spreads to the impulsive events and his angular figures to Almond's children, with their perilous mix of innocence, naivete, and power. The book's skewed world, with its odd creatures and significant blanks, is not quite ours; but the unanticipated consequences of its thoughtless creativity are ours indeed. From the stunning cover art hinted at by the faux-die-cut jacket to a last glimpse of the louche and negligent gods and the wolf lurking in the darkness deep underground, a fascinating, provocative collaboration. joanna rudge long
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