PreS-Gr 2—Karla has the most beautiful quilt shaped from a variety of patches that have been added to it over the years. Each piece tells a story, and the child hears the stories as she touches each one. Later, Karla's baby sister, Hannah, arrives and the house is turned upside down with the demands of a new baby. Her crib is placed in Karla's room and the infant's cries upset the older child terribly. She reaches for the quilt but no longer finds it comforting, and she can no longer hear the stories it holds. It is only when she gives the quilt to Hannah that the crying stops. Karla eagerly assumes the role of big sister and begins sharing the stories from the quilt with her sibling. While the story is a bit heavy-handed and contrived, the artwork shines. Paschkis's true gift is her art, and the folkloric quilt that graces the endpapers and continues throughout is as charming and warm as a quilt can be. The ink and gouache illustrations are quintessentially Paschkis and are worth the read just to look at the pictures. Other quilt books with more cohesive story lines are Patricia Polacco's The Keeping Quilt (S & S, 1988) and Valerie Flournoy's The Patchwork Quilt (Dial, 1995).—Joan Kindig, James Madison University, Harrisonburg, VA
Karla loves her quilt, Mooshka, made by her grandmother. Mooshka tells Karla the family stories behind each piece of fabric but goes silent when Karla's baby sister is born. Karla eventually learns to comfort her sister by telling the stories Mooshka once told. Paschkis's vibrant black-outlined illustrations are set within frames of patchwork in this unique, welcome addition to the new-baby genre.
"Karla had an unusual quilt. She called it Mooshka." Karla loves her quilt, and Mooshka makes Karla feel safe, brightening dark days. Made by Karla’s grandmother from scraps of old fabric, Mooshka is unusual because it talks to Karla, telling her the stories behind each piece of the quilt. This little bit of magic is left deliciously ambiguous -- is Mooshka really speaking or not? When Karla’s life changes -- her mother’s bulging belly is a hint of baby Hannah’s arrival -- Mooshka goes strangely silent. Karla learns to comfort her little sister, by telling the stories Mooshka once told, and the real magic of sisterly love begins. Illustrator and fabric designer Paschkis’s vibrant black-outlined illustrations are set within frames of patchwork. When Mooshka stops talking, the background changes to a solid color, darkening to show the night and only returning to the fabric frame after Karla shares the quilt with baby Hannah. Soon, both children curl up under the quilt with Karla retelling the family stories. This new-baby book gives the older sibling an important role, that of family storyteller. Karla comes to embrace her role naturally, with no urging from adults, making this addition to the new-sibling library unique and welcome. robin l. smith
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