Gr 6–10—Linus Muller not only inherits his brother's shoes when Albie goes off to fight the Nazis, but he also inherits his job as a delivery boy in the family produce business. The new responsibilities to live up to his father's expectations for customer service and punctual deliveries using a home-built fruit cart in their 1943 New York City neighborhood weigh heavily on him. An eccentric customer with a funny-sounding name suggests Linus calls him Mister Orange, and Linus looks forward to the deliveries and seeing the man's modern-art creations. The bold use of primary colors against a bright white background is an eye-pleasing curiosity he is certain his parents would deem frivolous. At home, he eases worries about Albie and the war by becoming the custodian of Albie's cartoon sketchbooks, and he begins to hold imaginary conversations with one character, Mr. Superspeed, who has promised with all his superhero powers to keep Albie safe. When Mr. Superspeed fails in his duties and Albie gets sick overseas, Mister Orange commiserates with Linus. This is Linus's coming-of-age story for the most part, but it also brings to light the life of Dutch painter Piet Mondrian (1872–1944), who evolved the Neo-Plasticism style and was working on a painting known as Victory Boogie-Woogie during Linus's visits. An afterword offers factual information about the artist. The story is enough of an interest catcher for readers to explore further.—Vicki Reutter, Cazenovia High School, NY
In 1943 Manhattan, Linus's position in his large family shifts when his oldest brother, Albie, goes off to war and Linus is assigned a new job -- delivery boy for the family's grocery store. One of his customers is an artist, a kind elderly man who takes the time to talk to Linus about color, design, and "the future." Because of the old man's regular fruit order, Linus dubs him Mister Orange. Two plot lines move in parallel. Bohemian Mister Orange introduces Linus to the joys of jazz and the avant-garde; meanwhile, Albie's letters home become increasingly bleak until Linus realizes that war is nothing like the fantasy world of Mr. Superspeed, the comic-book hero that Albie had invented. Only in an appendix do we discover that Mister Orange is Piet Mondrian, who in the last years of his life lived in New York City, working on his painting Victory Boogie-Woogie. The various elements here don't entirely mesh, but this Dutch import by the author of Departure Time (rev. 11/10) presents a fresh and immediate portrait of the time and place. sarah ellis
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