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Me, Frida

32p. 978-0-81098-969-6.
COPY ISBN
Gr 3—6—This picture book focuses on the year that Mexican painter Frida Kahlo and her husband, Diego Rivera, spent in San Francisco while he worked on murals for the Pacific Stock Exchange. It was 1930 and Frida was young, newly married, and just beginning her own career as a painter. She had never been out of Mexico and everything about this trip was new and overwhelming. Novesky adeptly tells how Kahlo began to gain her confidence and find her place in the world, using the city and its surroundings as inspiration for her own work. The writing is succinct and careful, and a portrait of Frida as a strong, feisty woman comes through clearly. Diaz's acrylic and charcoal paintings echo Kahlo's own folkloric style, brimming with color and detail, but are unique as well, providing a rich complement to the text. This is a solid choice as a supplement for a biography collection, but libraries looking for a way to introduce the artist should turn to Jonah Winter's Frida (Scholastic, 2002) or Margaret Frith's Frida Kahlo: The Artist Who Painted Herself (Grosset & Dunlap, 2003) instead.—Jody Kopple, Shady Hill School, Cambridge, MA
In 1930, Frida Kahlo and her husband, Diego Rivera, left Mexico for San Francisco. Novesky describes Frida's loneliness and restlessness; not yet an established artist, she created a painting of herself small alongside Rivera, large and important looking. Diaz's textured and color-saturated acrylic, charcoal, and varnish paintings pay atmospheric homage to the artists. An author's note is appended.

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