PreS-Gr 1–Charming watercolor-and-ink illustrations combine with a meandering, singsong text in this lovely bedtime book. Lucy can’t sleep, even after counting various animals, wiggling her fingers and toes, and scratching her itches. She gets out of bed, puts on a sweater, and amuses herself by looking for her misplaced toys, sliding down the banister, checking out the fridge, having a snack, sitting on the porch swing, hugging her dog, and playing dress up, until finally she is tired enough to “slip into bed, and sleep ‘til dawn.” Overlook the fact that most young children are not this comfortable or self-sufficient alone late at night; nor are parents likely to sleep through a child’s wanderings about the house, not to mention outside. Instead, focus on the warm, cozy flow of the text, which sometimes rhymes and sometimes doesn’t, is sometimes busy and other times quiet, and ultimately lures readers into a peaceful, restful place. The artwork is precious in the best sense, featuring a pink-faced child whose minimal features consist simply of black dots for eyes and nose, and a red line for a mouth. Cool pastel colors keep the nighttime dark but never scary, not counting when her black dog chases a black squirrel from behind a black tree in the yard. The picture of Lucy cozied up on the porch swing under a harvest moon with a radio playing close by is enough to make anyone want to go to bed. A wonderful book to cuddle up with when it’s almost time to sleep.
When sleep eludes little redheaded Lucy, she tries all the usual tricks, and then some. She counts sheep (as well as baby otters, mountain goats, kangaroos, and sailboats), and then gets out of bed and wiggles fingers and toes before embarking on a search downstairs for her missing doll and teddy bear. Once she finds them, it’s time for a midnight snack and some quiet contemplation on the back-porch swing before heading back upstairs to play dress up, and finally falling into bed and going to sleep. There is no adult in sight, but Lucy is apparently fine on her own, just as Harold was with his purple crayon. Schwartz’s subtly rhyming text will draw young listeners in with its patterning and its questions ("Where’s Dolly? Where’s Bear? Under this? Under that?"), and her precise line drawings colored in nighttime hues will quickly bring them into Lucy’s homey world. There’s plenty to explore visually in the detailed full-page illustrations, but when Schwartz wants readers to zero in on a specific detail she brings in a series of smaller spotlight views. As a bedtime book, this is refreshing in its child-friendly invitation to stay up just a little bit longer. kathleen t. horning
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