FICTION

Leontyne Price: Voice of a Century

illus. by Raul Colón. 40p. Random/Knopf. Dec. 2014. Tr $17.99. ISBN 9780375856068; lib. ed. $20.99. ebk. $10.99. ISBN 9780385392464.
COPY ISBN
RedReviewStarGr 2–5— Weatherford continues to showcase groundbreaking African Americans often overlooked by history books and popular culture. World-famous opera singer Leontyne Price gets her due in this luscious picture book biography. Price's talent and perseverance enabled her to follow in the footsteps of singer Marian Anderson and become a celebrated soprano whose wondrous voice rang through the Metropolitan Opera House in her iconic Aida role and on Broadway as a lead in Porgy and Bess. A true marriage of lyrical text and majestic illustrations, the book shines a much-needed spotlight on an important cultural figure. Colón's earthy hues establish the tone of Price's early years, set against the backdrop of her humble Mississippi upbringing and a childhood surrounded by supportive parents and gospel music. The watercolor and pencil drawings seem to vibrate off the page, especially in the form of rainbow-colored musical notes that often envelop the work's subject. An author's note includes more information on other singers for whom Price paved the way. While the exact audience for this book is hard to place, the emphasis on the performer's predecessors ("The song of her soul soared on the breath of her ancestors.") and mentions of segregation will tie this title into units on African American history and female pioneers. A gorgeous book in the ranks of the author's I, Matthew Henson: Polar Explorer (Walker, 2007) and Becoming Billie Holliday (Boyds Mills, 2008).—Shelley Diaz, School Library Journal
Born in 1927 Mississippi, opera singer Leontyne Price sang in the church choir, went to college, then Juilliard, then Broadway; later she "became the first black singer to star at La Scala." Lyrical prose touches on the prejudice Price faced but emphasizes her voice and her accomplishments. Watercolor, colored-pencil, and lithograph-crayon art depicts musical notes as splashes of vibrant colors bursting across the pages.
Opera singer Leontyne Price didn't just stand on the shoulders of Marian Anderson, she "blew open the door that Marian left ajar." Born in 1927 in Laurel, Mississippi, Price found her way into music through loving support from her hymn-singing mother and her tuba-playing father. In 1939, when Anderson gave her famous performance at the Lincoln Memorial, Leontyne was singing in the church choir. From there she went to college, then to Juilliard, then to Broadway; later she "became the first black singer to star at La Scala." Weatherford's lyrical prose touches on the prejudice Price faced ("Yet certain doors her golden songs could not open. In America, some hotels, restaurants, and stages were still whites-only"), but it emphasizes more the singer's voice, her accomplishments, and her elegance, along with the support she received along the way. Colon's watercolor, colored-pencil, and lithograph-crayon art makes good use of large images on single pages and double-page spreads, depicting musical notes as big splashes of vibrant yellows, blues, oranges, and blue-greens bursting across the pages. One stunning illustration shows Price on the Metropolitan Opera House stage, head bowed, accepting a forty-two-minute standing ovation, the spotlight casting a shadow: "She knew that shadow was not just hers, but her parents', teachers', and Marian's." While no sources are listed, an author's note provides further information. dean schneider

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