FICTION

Ketchup Clouds

261p. Little, Brown. 2013. Tr $17.99. ISBN 9780316246767. LC 2012044116.
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Gr 8 Up—Sitting alone in her shed, "Zoe" writes letters to a Death Row inmate in Texas, confessing her belief that she's responsible for the death of a boy in her British town. Since he's a murderer, too, she believes he should understand her feelings of guilt and regret. Using a pseudonym and a fake address, Zoe tells her pen pal how she met and developed crushes on two brothers, Max and Aaron, and how things went terribly wrong. All but the last section of the book is told entirely through her letters, which chronicle her physical relationship with Max, her burgeoning crush on Aaron, and her interactions with the dead boy's mother. Her narrative also describes her dying grandfather, squabbling parents, deaf youngest sister, and a middle sister who's reporting increasingly serious bullying problems at school. As her correspondent's execution date nears, Zoe approaches her story's dénouement. The twist on a familiar epistolary format is interesting if somewhat overstretched, and transitions between past and present are sometimes unclear. A subplot about Zoe's mother's work/life balance issues seems somewhat too adult, but the ambiguity of the dead boy's identity keeps readers turning pages. Overall, this title will be enjoyed by teens seeking edgy, realistic fiction with elements of romance and suspense.—Jill Ratzan, I. L. Peretz Community Jewish School, Somerset, NJ
Guilt-ridden British teen Zoe feels responsible for the fates of two brothers--Max, the hot guy with whom she's been making out; and Aaron, with whom she's in love. Zoe's original turns of phrase and sprightly narrative style give her story quick, light momentum and moments of lyricism. Sharp, articulate perceptions and a measure of suspense make this an engaging read.
Stricken with guilt and sorrow, British teen Zoe (so she calls herself for the sake of privacy) begins a one-sided correspondence with a prisoner on death row in Texas. She thinks her situation bears some resemblance to his: he murdered his wife; she feels responsible for the fates of two brothers—Max, the hot guy from high school with whom she’s been making out, and Aaron, his older brother, with whom she is in love. But sex and romance aren’t all that’s on her mind: her father has lost his job; her parents have been fighting; her grandfather is losing his mind; and her mother is obsessively fixated on her deaf little sister, Dot. This may all sound ponderous (and it is rather rich family drama), but Zoe’s original mind, turns of phrase, and sprightly narrative style give her story quick, light momentum and moments of lyricism. “It wasn’t just dancing. It was living,” she says of a photo of her grandparents dancing together. “Really living, like imagine the width of a moment rather than the length, and two people determined to fill every last millimeter of it.” Sharp, articulate perceptions and a measure of suspense—as well as a lively thread of wit and humor—make this a very engaging read. deirdre f. baker

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