Thirteen animals—a worldwide selection—are featured in full-spread woodcut-and-watercolor art. Meade captures both essence and habitat of these favorites: a jaguar prowls the jungle floor, up front in the picture plane; a margin-exceeding buffalo ruminates on his fate; a kangaroo leaps into the distance; an evanescent polar bear is immersed in a blue-green sea. Elliott's verses, though deftly composed, are somewhat less dynamic than these handsome portraits. There are paradoxes ("Big, yet moves / with grace. / Powerful, yet delicate / as lace... / When peaceful, silent; / when angry, loud. / Who would have guessed / the Elephant / is so much like a cloud?"); wry thoughts ("I wish we had, / for Zebra's sake, / a different alphabet"); predictable rhymes (preposterous with rhinoceros); and a nice reference to William Blake's "Tyger" ("fire, fire, burning bright—"). Elliott seems to refer to the polar bear's endangered status in his final poem, with the bear swimming "from / floe / to / floe. / Oh! / Look! She's / disappearing..." but then pulls his punches, with the bear, apparently safe, "disappearing / in the snow." A beautiful book, not quite as lighthearted as it first appears. JOANNA RUDGE LONGWe are currently offering this content for free. Sign up now to activate your personal profile, where you can save articles for future viewing
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