How Jelly Roll Morton Invented Jazz

Facts about Morton's life are sprinkled into a hushed second-person narration: a stint in jail--as a baby!--when his godmother was arrested (he cried until the incarcerated men began singing); a disapproving great-grandmother; and Jelly Roll's own audacious claim that he invented jazz. Textured acrylic-on-canvas illustrations are punctuated by musical notes in rivers of music. An author's note provides background information. Reading list.

Much like jazz itself, Winter has created a book filled with ebbs and flows, rhythm and rhyme, darkness and light, shadow and sunshine. Opening with a dreamy spread set in a dimly lit New Orleans with the city on the right-hand page and a small house on the left, the hushed second-person narration begins, “Here’s what could’ve happened if you were born a way down south in New Orleans, in the Land of Dreams a long, long time ago.” Facts about Morton’s life are sprinkled into the gentle prose: a stint in jail -- as a baby! -- when his godmother was arrested (he would not stop crying until the incarcerated men “commenced to singing”); a disapproving great-grandmother; and later the audacious claim, by Jelly Roll himself, that he invented jazz. Textured acrylic-on-canvas illustrations are punctuated by musical notes that create rivers and roads of music, allowing readers to imagine the beats, blues, and marvelous improvisation that were such a big part of the birth of jazz. Performers in silhouette -- cornet-playing Buddy Bolden and Jelly Roll at different ages -- add to the dreamy feel. An informative author’s note provides some (age-appropriate) background information and is written in the same loose conversational style as the book. This is a beautiful tribute to one of the parents of jazz (sorry, but Morton can’t claim sole ownership!) -- and a fitting introduction for a new generation of jazz lovers. robin smith