PreS-Gr 1—Boswick the Clown, a popular children's performer in the San Francisco area, is well known for his classic clown routines, juggling, and magic tricks. In this DVD, however, he takes on the role of a children's video show host. Each of the three episodes follows the same format. Boswick starts out intending to do something, forgets what it is, and off-camera children's voices try to remind him. He misunderstands and ends up doing something different. Finally he remembers what he was about to do, which is some kind of craft or activity, and then he demonstrates how to do it. The main problem is that Boswick loses track of his target audience. While the format of the shows is most likely to appeal to preschoolers, many of the jokes and craft ideas are only accessible to older children. In addition, often the comedy skits last too long for a young child's short attention span. Boswick's costumes and makeup are colorful and the set is imaginative, but the camera work, special effects, and music are low tech. Some of the video clips are badly pixilated, and all the episodes are accompanied by a computer-generated theme song that repeats incessantly. Bonus features include routines more like Boswick's stage show—the best part of the production.—Donna Cardon, Provo City Library, UT
In this beautiful, heartrending, yet horrifying film, North Koreans tell their stories of imprisonment, sexual slavery, torture, murder, and escape to China or South Korea during the nearly 50-year regime of Kim Il Sung (1912—94). The interviews are illustrated through the interspersion of dance sequences, archival news footage, and drawings. Particularly interesting are the North Korean propaganda films celebrating Kim Il Sung as God and showing in the face of mass starvation happy workers, elaborate military displays, and the creation of a new flower in 1988 in honor of the 46th birthday of Kim's son and successor, Kim Jong Il. A valuable time line traces 20th-century events in Korea. Bonus features include previously unreleased footage of camp refugees. This mesmerizing film displays excellent production values and is highly recommended for Asia collections.—Kitty Chen Dean, formerly with Nassau Community Coll., Garden City, NY
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