FICTION

Henri's Scissors

illus. by author. 40p. S & S/Beach Lane. Aug. 2013. Tr $16.99. ISBN 978-1-4424-6484-1; ebook $9.99. ISBN 978-1-4424-6485-8. LC 2012033171.
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K-Gr 3—At age 72, following surgery for cancer, Henri Matisse was too weak to paint. During his convalescence at the seaside, he picked up scissors and began cutting shapes from painted paper. In his own words, "It seems to me that I am in a second life." Winter's picture-book biography focuses on that second life, neatly summarizing his childhood and career in the first eight pages: "He kept on painting, forgot about law, and left his small town to be an artist in Paris." Winter captures the joy that Matisse found in cut paper, both through her acrylic and cut-paper illustrations and through quotes from his letters. The images are evocative of his art, with bright colors and rounded shapes. The first pages, depicting his youth and adulthood, are deeply framed like museum art, then transition to full-page compositions when his life changes due to illness. The author addresses his death with a light touch: "Then one night, Matisse walked into his paper garden, and the rainbow of shapes cradled the old artist and carried him into the heavens," where perhaps he now uses his scissors to make the stars in the night sky. Libraries with demand for picture-book biographies and art history will want to add this well-done title to their collections.—Suzanne Myers Harold, Multnomah County Library System, Portland, OR
In her latest picture book biography (see Barbara Bader's article "Persons of Interest," beginning on page 11), Winter focuses on Henri Matisse's later life, during which the painter took up collage. The book's opening pages feature a simple, sedate layout: brightly colored but rather quiet acrylics showing Matisse as a child and then creating famous early works are contained in neat square borders on cafe au lait pages. When he becomes so ill that "his paintings floated by in his dreams," the pages go to midnight blue as he -- and readers -- wonder: "would he ever have the energy to paint again?" Then bedridden Matisse discovers the magic he can make with scissors, and the book's design opens up; cut paper is integrated into the illustrations; and Winter begins to include quotes from the artist himself regarding this revelation ("My pleasure in cutting things out grows even greater. Why didn't I think of it earlier?"). With text that is straightforward and unflowery, Winter relies, successfully, on the strength of her own art to capture the essence of Matisse's. A brief author's note explains her specific interest in this portion of the artist's oeuvre. katrina hedeen

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