Gr 1–4—Accomplished artist, educator, and activist Ringgold gives readers a grounding in the Harlem Renaissance in this follow-up to her
Dinner at Aunt Connie's House (Hyperion, 1993). Narrator and aspiring author Lonnie travels back in time with his uncle to meet the artists, musicians, and writers who reinvigorated African American culture in the early 20th century. As W.E.B. Du Bois comments when they see him at
The Crisis magazine headquarters, "We black folk had a new desire to create as though we had just awakened from a deep, deep sleep." While visiting 1930s Harlem, the pair eat breakfast with Jack Johnson, watch a Marcus Garvey parade, and "cut a rug" at the Savoy Ballroom. At the Schomburg Library, they encounter Zora Neale Hurston, Carter G. Woodson, and Lonnie's hero, Langston Hughes. Back matter includes a glossary of terms and brief biographies of the legendary giants that Lonnie meets at the party. Ringgold's colorful acrylic illustrations will acquaint a new generation with cultural icons of the Harlem Renaissance. Librarians will want to follow up by sharing complementary titles in their collections, such as David Roessel's
Poetry for Young People: Langston Hughes (Sterling, 2006) and Dennis Brindell Fradin and Judith Bloom Fradin's biography
Zora!: The Life of Zora Neale Hurston (Clarion, 2012).—
Toby Rajput, National Louis University, Skokie, IL
Lonnie (Dinner at Aunt Connie's House) and Uncle Bates take
a trip back in time to the height of the Harlem Renaissance. The
pair visits landmarks in search of writer Langston Hughes--meeting
greats such as W. E. B. Du Bois and Madam C. J. Walker along the
way. More history lesson than story, the book is also a vehicle for
Ringgold's accomplished acrylic paintings. Glos.
Lonnie (Dinner at Aunt Connie’s House) and his uncle Bates take an airplane trip back in time, landing in Harlem at the height of the Harlem Renaissance. Throughout their day, Lonnie and Uncle Bates visit several Harlem landmarks -- Well’s Restaurant, the Africana Art Gallery, Madam Walker’s Beauty School, etc. -- in search of Lonnie’s favorite writer, Langston Hughes. At each stop they meet Harlem Renaissance greats -- Jack Johnson, Marcus Garvey, W. E. B. Du Bois, and Madam C. J. Walker, to name just a few -- and Lonnie, along with readers, gets a mini history lesson from each one, delivered in occasionally clunky exposition (Lonnie: “Mr. Robeson, you are a great singer, actor, and athlete. How does it feel to be so famous that everyone knows your name?”). By the time they finally catch up with Langston Hughes himself, giving a poetry reading at the Schomburg Library, Lonnie has been so thoroughly immersed in the history and culture of the times that he dreams of being dubbed “the littlest giant of the Harlem Renaissance.” More of a history lesson than a story, the book is also a vehicle for Ringgold’s accomplished acrylic paintings, which make the
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