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Girls in White Dresses

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Gr 9 Up—Upper middle class young women have been presented to society in debutante balls throughout history, and this program chronicles the 2009 debut of a group of middle-class African-American teens affiliated with the Onyx Club in Oxnard, California. While critics often view the tradition as a marriage market for the wealthy, this documentary interviews club members and parents who believe that the cotillion participants defy stereotypes and are athletic, independent young women who intend to pursue an education and devote their time to active community service. To further the goal of good works, the Onyx club crowns as "Queen" the girl who raises the most money for the charity or organization she represents. Sociologists interviewed concur, to some degree, that social clubs and debutant balls instill moral guidance from their sponsors' mentoring and send positive messages about the value of public service and education by offering scholarships. The program is balanced by the behind-the-scenes look at rigid etiquette requirements amidst a prom-like atmosphere, and critical commentary that considers this ritual an elite celebration of questionable purpose. Viewers follow six girls in the days leading up to the ball and its aftermath. The footage is unedited to some degree, capturing candid dialogue and emotions and typical pre-event jitters among the girls and their escorts. Although not geared to a particular curriculum area, this fascinating film can serve as a discussion starter and sociological peek into a still thriving cultural tradition for libraries with very hefty budgets.—Vicki Reutter, Cazenovia Jr. Sr. High School, NY
In this beautiful, heartrending, yet horrifying film, North Koreans tell their stories of imprisonment, sexual slavery, torture, murder, and escape to China or South Korea during the nearly 50-year regime of Kim Il Sung (1912—94). The interviews are illustrated through the interspersion of dance sequences, archival news footage, and drawings. Particularly interesting are the North Korean propaganda films celebrating Kim Il Sung as God and showing in the face of mass starvation happy workers, elaborate military displays, and the creation of a new flower in 1988 in honor of the 46th birthday of Kim's son and successor, Kim Jong Il. A valuable time line traces 20th-century events in Korea. Bonus features include previously unreleased footage of camp refugees. This mesmerizing film displays excellent production values and is highly recommended for Asia collections.—Kitty Chen Dean, formerly with Nassau Community Coll., Garden City, NY

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