Girls and Their Comics: Finding a Female Voice in Comic Book Narrative

This academic study resulted from the author's research at London's University of Roehampton and National Centre for Research in Children's Literature. The initial chapter provides an overview of the format and then continues with a brief history of women's literature from Victorian "Penny Dreadfuls" to early female cartoon characters such as Sheena, Wonder Woman, and Veronica. The concept of visual literacy as taught through picture books serves as a point of comparison; Danziger-Russell defines visual literacy and explains why picture books are important in developing this skill and how it relates to comic-book elements. That relationship serves as the basis for an extensive analysis of Mariko Tamaki and Jillian Tamaki's Skim (Groundwood, 2008), Ted Naihef's "Courtney Crumrin" series (Oni Press), and Trina Robbins and Anne Timmons's "Go Girl" series (Dark Horse). Vario us types of graphic-novel narratives are defined, with examples from several picture books and comics. One chapter is devoted to the appeal of manga for female readers and includes a history of manga, American interest in Japanese comics, and the influence of manga on American comics. There is also a brief discussion of Web comics and an in-depth analysis of three graphic novels: Marjane Satrapi's Persepolis (Pantheon, 2003), Brian Talbot's The Tale of One Bad Rat (Dark Horse, 1994), and Vera Brosgol's Anya's Ghost (First Second, 2011). With the exception of manga, the author effectively uses an ample selection of images from a variety of comics to illustrate salient points. This title may serve as a supplemental resource, particularly for those who are less familiar with the comic narrative.—Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY