Gr 5–8—Jon Whitcroft, 11, relishes the maniacal tricks he plays on "The Beard," his stepfather-to-be, but his mother is not amused and sends him to a boarding school in Salisbury (England). His troubles multiply when he encounters a bloodthirsty ghost who vows to kill him because of an ancient feud with the Whitcrofts. Jon and his schoolmate Ella summon Sir William Longspee, a medieval ghost knight, to fight off Stourton. In return, Jon promises to find Longspee's stolen heart and return it to his wife's spirit so he can rest in peace. Salisbury cathedral makes a fitting setting for a story steeped in historical detail. Readers will shiver in pleasure at ghostly duels in graveyards and beneath Gothic vaulted ceilings. Jon's problems seem believable, and the first-person conversational style creates an intimate, informal tone. Offermann's illustrations are a gift to readers. Carefully thought-out perspectives and soaring lines contrast the massive cathedral with its temporally bound human inhabitants. However, a few problems mar the story's potential. Readers may wonder why Jon chooses to tell the story eight years later and with an adult sensibility. The major action, defeating Stourton, ends 100 pages before the conclusion, which makes for an extended period of falling action. Several significant plot twists turn on coincidence. While Latsch's translation is often lyrical, it occasionally stumbles ("Ella never makes too many words"). Funke's gift is demonstrating the transformative power of adventure. During those moments, readers will be delighted.—Caitlin Augusta, Stratford Library Association, CT
Jon Whitcroft, eleven, resents being sent to boarding school; he thinks Mum's new boyfriend is trying to get rid of him. After being accosted by a terrifying band of ghosts with a centuries-old ax to grind, Jon's problems get worse. Funke's consummate way with setting is well interpreted in Offermann's looming illustrations. An author's note provides some history.
Jon Whitcroft, eleven, resents being sent away to boarding school; he thinks his mother’s new boyfriend, whom Jon sneeringly refers to as "The Beard," is trying to get rid of him. Jon finds himself with bigger problems after being accosted by a terrifying band of ghosts with a centuries-old ax to grind against his family. Word of Jon’s encounter gets around school, and Ella, whose grandmother Zelda runs ghost tours and is rumored to be a witch, offers to help. The kids visit Salisbury Cathedral and call forth the soul of a knight, William Longspee (a historical person), sworn to "protect the innocent from the cruel, and the weak from the strong." Longspee comes to Jon’s aid, but secrets about the knight’s past call his trustworthiness into question. The plot thickens after The Beard -- revealed to be Ella’s uncle -- shows up in Salisbury. Funke’s consummate way with setting, well interpreted in Offermann’s looming illustrations, brings the medieval English town (and all of its ghosts) to life, from the sprawling boarding school campus to the echoes-of-the-past cathedral and eerie cemetery grounds; a side jaunt to Stonehenge even adds some levity. Appended notes discuss Funke’s inspiration for the story and provide history about the real-life people and places. elissa gershowitz
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