FICTION

Four Secrets

278p. Carolrhoda Lab. 2012. Tr $17.95. ISBN 978-0-7613-8535-6; ebook $12.95. ISBN 978-1-4677-0011-5. LC 2011044344.
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Gr 8–10—Though Katie, Nate, and Renata are social outcasts, they have a very tight bond. So when big man on campus Chase begins bullying Renata, they kidnap him, and because of their drastic action, they all end up in juvenile detention. Their social worker asks them each to keep a journal, and the novel is made up of their entries as well as an omniscient narrative. Katie writes two journals; in one she tells what actually happened, but the other is blatantly fake, intended for Mrs. Shield. Nate writes a flowery, fantasy-novel version of events. Renata uses her journal as a sketchbook, producing powerful black-and-white illustrations of pivotal moments leading up to her detention. The girls' journals offer great insights into their characters. Nate's high-fantasy language protects him from view until the very end, when the social worker breaks down his walls. The omniscient narrator chapters, though necessary, are jolting after the intimacy of the personal accounts. These kids have never been in trouble before, and their first act of rebellion goes wildly over-the-top in a believable, out-of-control spiral. These middle school kids encounter drugs, alcohol, sexuality, and violence, but Willey sensitively and skillfully reveals not only the details of their drastic act, but also the secrets that the three friends and their victim harbor, secrets that shape who they are and what their futures may be.—Geri Diorio, Ridgefield Library, CT
Three junior-high students, good kids all, are being held in juvie after being accused of kidnapping and drugging their school’s star jock. It becomes clear early on in this page-turner that Nate, Katie, and Renata have made a pact not to tell what really happened the week Chase was hidden in Renata’s house, and despite the journals social worker Greta requires them to write for her, they don’t. Katie keeps two journals (only one of which she shares with Greta); Nate’s entries are written obliquely, in high-fantasy prose à la Christopher Paolini; Renata will only draw pictures. From these oblique and suspect accounts, readers will piece the real story together along with Greta, who does some detective work of her own. “There is a secret story and it is inside of another secret story and that one is inside of another secret story,” writes Katie, and the four secrets, one about each of the teens, are satisfyingly juicy yet given depth by Willey’s understanding of the complexities of friendship, a theme she’s pursued since her first YA novel, The Bigger Book of Lydia, was published in 1983. roger sutton

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