FICTION

Flash Point

498p. Viking. 2012. Tr $17.99. ISBN 978-0-670-01247-3; ebook $10.99. ISBN 978-1-101-59034-8.
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Gr 9 Up—Amy, 16; her sister; and their sick grandmother are just barely making ends meet since the "Collapse." Amy works a low-paying job to cover the rent on their rundown apartment. When she stumbles into a job interview at a television station, she's offered a spot on a new show called Who Knows People, Baby-You?-complete with a cash advance and full medical benefits for her family. In this new reality show, viewers vote on what they think the six participants from vastly different backgrounds will do in each new situation presented. The voters can win large sums of money for being good judges of human nature. But for the teens on the show, waiting for the next surprise scenario to unfold becomes extremely stressful. As interest in the show reaches a fever pitch, producers will stop at nothing to get the ratings they need, even putting the contestants in grave danger. This is a high-interest book, but the high page count will scare off reluctant readers. However, for those who get hooked, it is a real page-turner. Several of the teens on the show are true individuals, easy to remember and realistic in their responses to the scenarios. With the moral dilemmas it poses, both in interactions among the teens and on the part of the station's adults, this would be an excellent novel to prompt discussions about reality TV and ethics.—Kelly Jo Lasher, Middle Township High School, Cape May Court House, NJ
Readers will be intrigued by this timely novel about the boundaries set and crossed by reality television. Amy, a complex and sympathetic protagonist, has a slight edge over the other contestants because of her “phantoms,” a psychic ability to see certain truths about reality. Amy’s perceptiveness about her competitors’ individual complexities contrasts meaningfully with the TV show’s premise. Powerful tension and plenty of action fill the book as the participants’ tests become increasingly manipulative and dangerous in an attempt to increase viewership. The ethical implications of exploiting people’s emotions for entertainment value will strike a chord with teens, especially when the network broadcasts a deadly riot for a ratings boost. As Amy puts it, “Normal people did not do things like this, did not reach into your chest and tear out your heart just so they could film you bleeding.”

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