FICTION

Evidence of Things Not Seen

240p. Farrar. Sept. 2014. Tr $17.99. ISBN 9780374300609.
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Gr 9 Up—Tommy Smythe is brilliant, awkward with people, and missing. His classmates haven't seen him, his father can't find him, and no one knows where he could have gone. As the days tick by with no sign of him, Tommy's fascination with theoretical physics and science leads some to wonder if Tommy has managed to do the impossible—to step through a portal or pass into another dimension. The story unfolds through interviews with witnesses, scraps of scribbled notes from Tommy himself, and private moments between seemingly unrelated people. Tommy's disappearance is at the forefront of some stories, at the back of others. Chapters are arranged by lead-characters or items, some more hard-hitting than others, but the picture of a small border town caught up in a mystery and bound by its secrets is an intriguing one that Lane does well. Some chapters do deal with more adult subject matter (drug use, teen pregnancy, racism, prostitution) and adult language is prevalent throughout, but isn't gratuitous. Give to fans of Holly Goldberg Sloan's I'll be There (Little, Brown, 2012) and Todd Strasser's Give a Boy a Gun (S. & S., 2002).—Clair Segal, Horace Mann School, New York City
The disappearance of high school physics nerd Tommy shakes up a small Texas town. Many chapters feature a character telling the sheriff what he or she knows about Tommy, while others are third-person stories; each is prefaced by a philosophical passage from Tommy's notebook. Complex and rich, the story hints at Tommy's fate, but with an open ending that's perfect for sparking discussion.
The disappearance of physics nerd Tommy shakes up the residents of a small Texas town. Tommy talked so much about particle physics and alternate realities that some of them wonder if he has slipped into another dimension, while others are sure that the high school junior is dead. Many of the book's nineteen chapters feature a character telling the sheriff what he or she knows about Tommy while actually revealing more about him- or herself, as with Alvin, who describes his life with his abusive father in the context of explaining Tommy's frequent appearances and disappearances. Other vignettes are third-person stories, most of them set in what the town residents call the "pull-out," a dirt area at the side of the road. There, for instance, Marshall pours his heart out to prom date Leann, not realizing that the sexual abuse she has suffered makes it impossible for her to be anything but terrified by being alone with a boy. Each chapter gives the date and how long it has been since Tommy's disappearance and is prefaced by a passage from Tommy's notebook, filled with philosophical musings ("Do I exist if no one or nothing is observing me?"). Luminous passages, such as the one in which a teenage girl scatters her father's ashes, provide respite from the recurring theme of sexual exploitation. Complex and rich, the story hints at Tommy's fate, but with an open ending that is perfect for sparking discussion. susan dove lempke

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